Can you really get away with murder? Welcome to the world of Katrina, a 19-year-old single mum who’s planning to do just that. Katrina lives in a world of petty crime, fast cars, manicures and blow-jobs. A master manipulator of men living at home with her father in suburban Golden Grove, Katrina will stop at nothing to get what she wants – even murder.

Centred around a weekend party at the home of inventor Andrew Hobbs and his wife Adrian, attended by randy doctor Maxwell Jordan, his nurse Dulcy, renowned philosopher Dr.Leopold Sturgis and his fiancée, this is a light comedy concerning their various emotional, intellectual and sexual entanglements, loosely based on Ingmar Bergman’s ‘Smiles of a Summer Night’ .

When her mother makes a shocking request, sheltered Ava struggles with reality, escaping into a dream world where she summons up old friends and long forgotten desires.

A cop turns to crime to keep his spoiled sexy young wife happy. When the money starts coming in his partner was in on the action.

A chronicle of the sordid life and suspicious death of Rolling Stones co-founder Brian Jones, who was found in the bottom of his swimming pool weeks after being let go from the band.

David’s life is on the slide: he’s broke, in the middle of a divorce and ‘can’t get it up’. His girlfriend, Alice, is his rock, but the magazine she writes for is going down and the pressure is on to find a story. While job hunting online, David stumbles across the perfect antidote to his boredom: a ‘Swingers’ site. The resulting inbox of lewd invitations on the home-laptop justifiably upsets Alice, until she realises this could be just the ‘story’ she needs. The idea of uncovering the swinging scene causes quite a stir in Alice’s office and, much to David’s chagrin, she is urged to pursue the story. Their first reluctant foray is an hysterically low-rent initiation, however, an unexpected upturn for David’s manhood is all the extra encouragement they need. As events accelerate beyond their control the once adoring couple become lost and fundamental questions are asked of their relationship.

Reminiscent of Sunset Boulevard, Hustler White transposes the action from the silver screen’s old movie backlots to contemporary male prostitution and the porn industry. Said to be an homage to classic Hollywood cinema.

An LA detective is murdered because she has microfilm with the recipe to make cocaine cookies. A “Lethal Weapon” style cop team tries to find and stop the fiends before they can dope the nation by distributing their wares via the “Wilderness Girls” cookie drive.

Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.

When Jon returns on his first trip home from college, he inadvertently triggers events that inspire him to embark on an auspicious journey through the night to return a lost locket. Jon is joined by his old friend, Cole, and his ex-girlfriend, Michelle as they comb through the streets of a rustic mountain town searching for a faceless drifter while impeded by a self-absorbed rival, their own doubts, and the night itself. All three attempt to reconcile their shared past, as well as their uncertain futures as tensions rise and it becomes clear that night is more than mere darkness – it is a state of mind.

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.

When minor-league hockey player Derek Thompson — who has a penchant for knocking out his opponents’ teeth every time he plays — disillusions a fan, he is sentenced to a stint for one week as a bona fide, tutu-clad, real-life tooth fairy. Soon, Derek is inspired to rekindle his youthful dreams.