Composed of three disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.
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Shadow Walkers is a highly suspenseful story of a group of lab technicians and military personnel who awaken in a subterranean laboratory with no memory of who they are. They quickly discover that they are sealed in, with only one way to get out alive. They must travel deeper into the underground facility to an escape tunnel that leads to the surface. Hindered by the fact there is only limited electrical power, they struggle through the darkness where they uncover a hive of genetically mutated creatures that stalk them from the shadows. Bred for combat, these monsters are endowed with razor sharp talons and rows of jagged teeth capable of ripping a man apart. While avoiding danger at every turn, they begin to regain their memories, discovering the origin of the deadly creatures and the part they played in their creation.
Amidst a viral outbreak, a broken man finds refuge in a storage shed in order to escape the violence, but accidentally traps himself inside. Isolated, alone and low on supplies, he is quickly stripped of all his humanity as he struggles to survive. As the days go by, the deteriorated man must rebuild his inner strength to escape, and finally confront his ultimate fear.
A man is accidentally transported to 1300 A.D., where he must battle an army of the dead and retrieve the Necronomicon so he can return home.
Ken Kaneki (Masataka Kubota) is a university student. He becomes injured by Rize, a human eating ghoul. Ken is saved from the ghoul when a steel frame falls on Rize. They are both sent to the hospital. Ken receives an organ transplant from Rize and becomes a half ghoul.
Under the border leading into Mexico, within a labyrinth of caves, a deadly presence haunts all who enter. For four friends on an expedition, the caverns become an underground graveyard as the tortured ghosts prey upon them, one by one.
What is Hell for others is home for us. This is the story of Vera, Elsa, a Man, and the great love that united them. They started out growing up together but they didn’t get very far. Leaving behind a desolate world, full of traps, they will begin a hallucinogenic journey of tenderness and violence. The story of three lovers who in a devious and gruesome manner try to destroy each other, to gain a solitary entrance to Hell.
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
Set in an English woodland countryside, Debra and her best friends Jamie and Nancy pick up Dan, Nancey’s ex, to go out to the woods to score some weed. Unknown to them a killer who resembles death is cleansing the countryside. With a wannabe policeman and an assortment of the public out for some fresh air, the woods are no place to go down today.
The Nereus is a fifty-year-old Ice Breaker, salvaged by an idealistic crew on a mission to catch illegal fisherman. On chase, the crew find themselves well off-course and bearing down on a body mysteriously floating in the middle of the Devil’s Sea. Superstitious or not, the team soon discovers they’ve rescued a deadly creature feeding on the lifeless body. Their new mission—kill or be killed and preferably before they hit land.
The year was 1973 . . . Justin Thomas Wilson was hunting the fallen with an ax and a shotgun. Sam, his young disciple, documented their adventures with the first 8mm camera ever to record sound. The story begins but the battle rages on.
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