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When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.

A once accomplished sculptor, a former college art teacher, but now a lonely graveyard shift doorman, Abner Roth is sadly a mere shadow of his former self. Having lost the love of his life and haunted by the death of a woman in a terrible car accident a year ago, he is desolate and suicidal but amusingly so. Step in Zoe, a free spirited taxi driver with a large hart and persuasive disposition. Zoe’s energy and outlook help Abner look at life anew and try to reconcile his conflicted past.

Five years ago David’s life came undone when his young daughter fell victim to a brutal attack. The subsequent emotional fallout cost him his marriage and his job. Handicapped by guilt and anguish David abandoned his past and alienated himself. He took a second rate job as a security guard and plodded on – his wounds concealed but unhealed. All it would take is a scratch for them to open wide and consume him…. During a routine security inspection, David discovers a young Serbian girl stowed in the cab of a truck. Her sister and other girls have been murdered – all victims of a perfidious human trafficking racket. She pleads for his help. This is his chance at retribution. This time he will champion the young girl that places her trust in him. But David is taking on Goliath and he has his back against the wall and a gun at his head. Enlisting the help of a woman’s refuge counselor, David embarks on a do or die mission to save the girl.

A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg, Jack Kerouac and William Burroughs.

In 1971, António Lobo Antunes’ life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.

At the age of 51 and after 20 months on unemployment, Thierry starts a new job that soon brings him face to face with a moral dilemma. How much is he willing to accept to keep his job?

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

In his thirties and still living with his mother, a man decides to break free from his inner demons.

A 12-year-old tech prodigy whose science experiment goes awry and he forges a telepathic connection with his best friend, his dog. The duo join forces and use their unique perspectives on life to comically overcome complications of family and school.

After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick’s senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.