Schroeder returns with this cross-generational relationship drama set against Europe’s electronic music scene.

Although he is only ten years old, Jack is responsible for himself and his little brother Manuel and this fills him with pride. Their single mother works during the day and often goes out at night. There’s no father in sight. One day, Manuel burns himself with boiling hot water while bathing and Jack is blamed for the incident. It’s reason enough for social services to put him in a home where he is dreadfully homesick. He soon gets into trouble and bolts, heading for home. He arrives back, only to find his mother is once again absent. Jack and Manuel roam the city in search of her. They sleep in parks and in an underground car park, run away from the police and encounter adults, some of whom help and others who are indifferent.

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A heartbreaking home birth leaves a woman grappling with the profound emotional fallout, isolated from her partner and family by a chasm of grief.

It’s not easy being a teenager and Mike, a sixteen-year-old, has it espcially hard. He lives in the sticks with his mother, a non-stop nagger, in Faintville, a Canadian timber industry town. He has no father, no friends, not even a favorite meal. Basically, his sole wish is simply to vanish from the face of the earth. One day, Mike writes his own obituary and shoots himself. To his great disappointment he wakes up the in the local hospital. During a routine examination, the doctors discover a plum-sized tumor in his brain. Mike can scarcely believe his luck and keeps the illness to himself to avoid undergoing surgery that would save him. Staring death directly in the eyes, however, changes Mike’s point of view and he re-evaluates his opinion of both enchanting and crazy Miranda. Somebody seems to understand him after all.

A grieving couple retreats to their cabin ‘Eden’ in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.

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Amy, an attractive woman, confuses love with money and becomes a victim of the materialistic lifestyle of South Beach. Her relationship with Nick, a down-to-earth, young architect is great, but Amy has dreams that he can’t fulfill and afford. In her search for glamour and a dancing career, Amy meets Sam, an older, married man. Even though Sam provides her with the luxurious lifestyle, she begins to feel a void for love and attention. Unwilling to let go of Sam’s financial support, Amy becomes involved in another relationship with Robert, who grows suspicious. Amy soon discovers that life in South Beach, not everything is as good as it looks.

When Paaru sees a fairy tale she heard from from a stranger as a child painted across the walls of a costal town, she goes in search of the man who painted it – Maara.

The life of a bank manager is turned upside down when a friend from his past manipulates him into faking his own death and taking off on an adventure.

Upon the death of his estranged uncle, an embittered writer returns to his home town.

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.