In the wake of the new Civil Rights Movement it is important to tell Black stories from those who actually live it. Shoot first and ask questions later, lynchings, redlining, policing of hair, food deserts, underfunded schools are just a day in the life struggle of being Black in America.

The award-winning film documents the amazing, true-life adventures of Billy Meier, the only proven UFO contactee.

Al Pacino’s deeply-felt rumination on Shakespeare’s significance and relevance to the modern world through interviews and an in-depth analysis of “Richard III.”

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler’s concentration camps.

Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas’ 1994 debut album, Illmatic, and the social conditions that influenced its creation.

In Drew Xanthopoulos’ intimate and cinematic documentary, we meet Joe, a patriarch whose affliction is so all-encompassing that he’s indifferent to his long-suffering wife; and twin brothers Sam and Nathan, musicians who are no longer able to breathe outside of their real-life sterile “plastic bubble,” and whose mother, Karen, developed her illness when she was only 17. These characters all suffer from debilitating sensitivities to their environment. Whether from ambient chemicals, genetics, electricity, or even psychogenic reasons, the cause is not clear, but the reality of the effects on these individuals is undeniable. Fortunately, Susie Molloy, a quiet firebrand who is chemically sensitive herself, seeks to help. In her, those afflicted by this modern malady have found an advocate whose mission is to de-stigmatize this community, and in telling their stories, Xanthopoulos has crafted a film itself as deeply sensitive as its title suggests. Cara Cusumano

John Bishop’s back! After taking time out to write his autobiography, John limbered up again for his third sell-out national Arena tour, ending with a special one-off show at London’s iconic Royal Albert Hall. This latest comedy caper by the immensely talented John Bishop was described as “the funniest two hours you’ll have anywhere, anytime soon” by The Daily Mirror.

Germantown and Martin Luther King High Schools were bitter rivals for over 40 years. This past year, a budget crisis caused Philadelphia to lay off over 4000 employees and close 37 schools, including Germantown High. Now Germantown must merge with their former rival, King. Against overwhelming odds, a 27-year old first time head coach and a new principal fight to inspire young men from difficult circumstances to come together and lift each other toward a better future.

The film is a stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts. TITICUT FOLLIES documents the various ways the inmates are treated by the guards, social workers and psychiatrists.

Four college students travel to Europe to escape their routine faith and gain a radically new perspective on following Jesus.

Another super polished, overly produced debacle. Delivering the gnarliest skateboarding from this year’s new breed of rippers: Jamie Foy, Chase Webb, Carlos Iqui, Michael Pulizzi and Cody Lockwood. “If anyone knows where the end of the Earth is, can they take us there?”

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit’s thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown’s Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined – which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.