Culloden is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden that resulted in the British Army’s destruction of the Scottish Jacobite uprising and, in the words of the narrator, “tore apart forever the clan system of the Scottish Highlands”. Described in its opening credits as “an account of one of the most mishandled and brutal battles ever fought in Britain”, Culloden was hailed as a breakthrough for its cinematography as well as its use of non-professional actors and its presentation of an historical event in the style of modern TV war reporting. The film was based on John Prebble’s study of the battle.

Barbara Thorson struggles through life by escaping into a fantasy life of magic and monsters.

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As the home planet of the Green Lantern Corps faces a battle with an ancient enemy, Hal Jordan prepares new recruit Arisia for the coming conflict by relating stories of the first Green Lantern and several of Hal’s comrades.

Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence.

Samuel Pierret is a nurse who saves the wrong guy – a thief whose henchmen take Samuel’s pregnant wife hostage to force him to spring their boss from the hospital. A race through the subways and streets of Paris ensues, and the body count rises. Can Samuel evade the cops and the criminal underground and deliver his beloved to safety?

A mother attempts to keep her family safe as war rages and a sniper lies in wait outside her home.

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Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son’s role.

The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in this adaptation of the Robert Ludlum novel.

Olivia, an undocumented Filipino transwoman, works as a caregiver to Olga, an elderly Russian woman, in Brighton Beach, Brooklyn. When Olivia runs out of options to attain legal status in the US, she becomes romantically involved with Alex, Olga’s adult grandson, in the pursuit of a marriage-based green card.

After a series of bad experiences with men, Shae teams up with her co-worker, Lu, who has a simple, deadly way of dealing with the opposite sex.