Kenji is a young aspiring movie director. He falls in love with Princess Miyuki who came from a black‐and‐white movie.
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In July 1945, during the end of World War II, Japan is forced to accept the Potsdam Declaration. A cabinet meeting has continued through days and nights, but a decision cannot be made. The U.S. drops atomic bombs on the cities of Hiroshima and Nagasaki, Japan. General Korechika Anami is torn over making the proper decision and the Emperor of Japan worries about his people. Prime Minister Kantaro Suzuki leads the cabinet meeting, while Chief Secretary Hisatsune Sakomizu can’t do anything, but watch the meeting. At this time, Major Kenji Hatanaka and other young commissioned officers, who are against Japan surrendering, move to occupy the palace and a radio broadcasting station. The radio station is set to broadcast Emperor Hirohito reading out the Imperial Rescript on the Termination of the War.
Buenos Aires, 1971. Carlitos is a seventeen-year-old with movie star swagger, blond curls and a baby face. As a young boy, he coveted other people’s things, but it wasn’t until his early adolescence that his true calling—to be a thief—manifested itself. When he meets Ramon at his new school, Carlitos is immediately drawn to him and starts showing off to get his attention. Together they will embark on a journey of discovery, love and crime.
Hell and Mr. Fudge is an 2012 American drama film directed by Jeff Wood and written by Brian Phillip Stoddard. Based on a true story, the film stars Mackenzie Astin as Edward Fudge, an Alabama preacher who has been hired to determine the existence of hell.
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.
The destinies of two families are irrevocably tied together after a cyclist is hit off the road by a jeep in the night before Christmas Eve.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea’s direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
Vine, a disillusioned demon, is forced into a choice to save his brethren or an innocent human girl.
Laurel Canyon focuses on Sam and Alex, a pair of upper-middle class lovebirds from the East Coast who relocate to Los Angeles. Enter Jane, Sam’s estranged mother, a successful record producer, who’s more than willing to put the couple up in her lavish digs. As Sam and Alex settle in at Jane’s, they gradually lose their straight-and-narrow approach to life and begin to experiment.
Ruby Strangelove Young Witch: When Ruby, a young witch discovers her long lost mother was abducted by evil forces she sets out to use all her magical powers to get her back.
L. Frank Baum is attempting to write a new story. Before he has written more than his name, he is interrupted by his youngest son, Kenneth, and their dog, Dorothy. Persuaded to write about Santa Claus by Kenneth, and with the support of hos butler, he spins a yarn about a “Santanapping” preventing Santa Claus from performing his annual duties and the ambition of the young ryl, Whisk, to assist in Santa Claus’s rides, who, with Kilter the pixie and Nutter the knook, has to do just that, according to Santa Claus’s emergency orders.
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