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Johnna’s dad changed the world. Or so he says. Whilst Johnna and her dad are talking, they can’t seem to connect, each growing more and more frustrated with one another, revolving around one another in their own orbits.
Bima and Dara are lovers who are still in high school. At the age of 17, they were determined to copulate outside of marriage. Dara was pregnant. Both are then confronted with a life that is unimaginable for children of their age, life as parents.
Max Keeble, the victim of his 7th grade class, plots revenge when he learns he’s moving; it backfires when he doesn’t move after all.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Babe, fresh from his victory in the sheepherding contest, returns to Farmer Hoggett’s farm, but after Farmer Hoggett is injured and unable to work, Babe has to go to the big city to save the farm.
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