In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.

Beneath Bruce Garrett’s under-confident, overweight exterior, the passionate heart of a salsa king lies dormant. Now, one woman is about to reignite his Latin fire.

Nickie Ferrante’s return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they’ve fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date, Nickie is waiting patiently for Terry who is racing to join him. Fate intervenes however, resulting in misunderstanding and heartbreak and only fate can save their relationship.

This wonderful story happened in the age of valiant knights, beautiful princesses, and battling sorcerers. Ruslan, a wandering artist dreaming to become a knight, met beautiful Mila and fell in love with her; he didn’t even suspect that she is the King’s daughter. However, the lovers’ happiness wasn’t meant to last too long. Chernomor, the evil sorcerer, appeared in a magic vortex and stole Mila right before Ruslan’s eyes to transform her power of love into his own magic power. Without further ado, Ruslan sets out on a chase after the stolen princess to overcome all obstacles and to prove that real love is stronger than magic.

Gabriell is a single mother, her 17-year-old daughter Claire is pregnant, however the child’s father Simon has no desire to be involved with his future baby. When Gabrielle takes matters into her own hands and asks Simon’s father Ange for help, an unexpected relationship begins.

A young Southern débutante temporarily abandons her posh lifestyle and upcoming, semi-arranged marriage to have a lustful and erotic fling with a rugged drifter who works at a local carnival.

“The Party Is Over” tells the story of three unusual guys who are roommates at a Southern California university and whose privileged lifestyle and the freedom that goes with it lead to bizarre and obsessive, even twisted, relationships with three equally complicated women.

Orlando Bloom and Condola Rashad take on the title characters in a modern adaptation of the timeless classic, Romeo and Juliet. This Broadway stage production is being broadcast in movie theaters.

Two wealthy sisters, both heiresses to their family’s cosmetics fortune, are given a wake-up call when a scandal and ensuing investigation strip them of their wealth.

An overlooked pencil-pusher catches her husband in bed with another woman, the shock of which causes him to die of a heart attack. So she buries his body and takes advantage of the growing celebrity status that comes from having a missing husband. But she quickly finds herself in over her head, dodging cops and criminals, all while trying to keep the truth from her sister, a local news anchor who’s desperate for a story.

Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.

The King of the Belgians is on a state visit in Istanbul when his country falls apart. He must return home at once to save his kingdom. But a solar storm causes airspace and communications to shut down. No planes. No phones. With the help of a British filmmaker and a troupe of Bulgarian folk singers, the King and his entourage manage to escape over the border. Incognito. Thus begins an odyssey across the Balkans during which the King discovers the real world – and himself.