Kathy Yoder has left her Amish ways and is a successful travel guide writer. When Kathy goes home to settle her dad’s affairs, she’s reminded of her life before she left the Amish community, including her old love, Isaac. Will Kathy decide to stay or return to her traveling lifestyle?

Although she loves Christmas, Santa’s elf Christine (Summer Glau) wonders if there could be more to life than making toys in the North Pole. When Santa receives an emergency wish from a little boy in Los Angeles, he puts Christine on a special assignment, sending her to L.A. to give the VanCamp family—mom Sara (Eva La Rue), dad Scott (Dan Gauthier), and their two kids Ally (Izabela Vidovic) and Will (Mason Cook)—a holiday wake-up call. Will Christine fail her assignment and be sent back to the North Pole for good, or will the VanCamps come to their senses about the meaning of Christmas?

Whether it’s someone mixing burnables and recyclables or noise from a neighbor’s domestic spat, there’s always something occupying the residents of a housing project in the suburbs of Osaka. However Hinako (Naomi Fujiyama) and Seiji (Ittoku Kishibe) couldn’t care less. Having moved in just six months ago after the closure of their herbal medicine shop, the old couple is reluctantly putting their life back together. But when Seiji disappears, the apartment rumor mill churns: divorce, murder, dismemberment? As the story spins out of control, and a mysterious man with a parasol puts in a tall order of natural remedies, the truth turns out to be even more fantastic than gossip. Ranging from incisive comedy of errors to absurdist adventure to moving late life romance, “The Projects” is one of the biggest surprises of the year.

Chon Wang, a clumsy imperial guard trails Princess Pei Pei when she is kidnapped from the Forbidden City and transported to America. Wang follows her captors to Nevada, where he teams up with an unlikely partner, outcast outlaw Roy O’Bannon, and tries to spring the princess from her imprisonment.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

When young loner Anna is hired as the surrogate for Matt, a single man in his 40s, the two strangers come to realize this unexpected relationship will quickly challenge their perceptions of connection, boundaries and the particulars of love.

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In this animated retelling of the Noah’s Ark story, various unholy activities fill the great ship, as the animals discover the darker side of their nature.

Arnost Lustig was one of the world’s most renowned literary authors of our times. Lustig’s novel ‘A girl from Antwerp’ upon which our film Colette is based, draws on the author’s personal Nazi Concentration Camp experience and his own recollection of several escape attempts from the hell of Auschwitz. The story of The Pulitzer Prize nominee Lustig is about the power of love under an extreme life circumstances. It is a story of young lovers and their vigorous determination to escape from a hopeless life condition and theirs courage to face death.

The story of Quinn and Graham, two engineering students who discover a mathematical formula to pick up women with ease.

Stephen Chow plays a rich playboy who is blown up by a mafia boss when he flirts with the boss’s girl. Through a series of circumstances his professor makes him a synthetic (robotic) body that allows him to change into a variety of “Mrs. Wong’s Household products” like a microwave and toothpaste. Chow eventually goes to work at a school notorious for it’s rowdy students and singlehandledly disciplines them all. He then goes on to marry a former classmate played by Gigi Leung. But before the wedding happens, the mafia boss finds out that Chow is still alive and sends in his own human-robot to take Chow out for once and for all.

Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.