Victor Maynard is a middle-aged, solitary assassin, who lives to please his formidable mother, despite his own peerless reputation for lethal efficiency. His professional routine is interrupted when he finds himself drawn to one of his intended victims, Rose. He spares her life, unexpectedly acquiring in the process a young apprentice, Tony. Believing Victor to be a private detective, his two new companions tag along, while he attempts to thwart the murderous attentions of his unhappy client

After a tempest, fishermen do not find only fish in their nets. That is what happens to Jafaar, a poor fisherman who lives poorly in Gaza. And what he hauls in is really upsetting: imagine that, a pig! An unclean animal judged impure not only by the Faith of Islam but also by the Jewish religion. Determined to get rid of the animal, Jafaar tries desperately to sell it, first to a United Nations official, then to a Jewish colony where Yelena raises pigs not for their meat but for security reasons. Of course, going unnoticed in the company of a “forbidden” animal, among his Palestinian brothers, past Israeli soldiers and under the scrutiny of Islamic fundamentalists is no bed of roses and a series of misadventures await Jafaar.

College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can’t steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

Lamb, based on the novel by Bonnie Nadzam, traces the self-discovery of David Lamb in the weeks following the disintegration of his marriage and the death of his father. Hoping to regain some faith in his own goodness, he turns his attention to Tommie, an awkward and unpopular eleven-year-old girl. Lamb is convinced that he can help her avoid a destiny of apathy and emptiness, and takes Tommie for a road trip from Chicago to the Rockies, planning to initiate her into the beauty of the mountain wilderness. The journey shakes them in ways neither expects.

As college students Jake and Jan struggle to stay afloat in the current economic climate, a lucrative business opportunity presents itself through their angel investor and landlord, George. After an unfortunate series of events, the deal suddenly falls apart, and the couple, now further in debt, takes drastic measures to eliminate George to collect a large sum of money. But things do not always go to plan and after numerous failed attempts to wipe out their intended target, the couple goes on the run with George in close pursuit to even the score.

A shy butterfly expert embarks on a dangerous, life-changing trek through one of America’s greatest unprotected wildlands at the urging of his dying wife.

Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?

Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.

In The Secrets, two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out. Naomi, the studious, devoutly religious daughter of a prominent rabbi, convinces her father to postpone her marriage for a year so that she might study at a Jewish seminary for women in the ancient Kabalistic seat of Safe.

At Big Jim’s Auto Depot there’s only one rule. The last man – or woman – standing wins. Eight teens enter, one teen leaves. Actually, all eight teens leave, but only one leaves with the ride of their dreams. To reach that dream, they’re going through a nightmare. Keep your hand on the car. That sounds simple enough, but two days of sleep deprivation and fierce competition can make things awfully hard.

A psychiatric hospital is turned upside down when a mysterious drifter is admitted and assigned to room 316. Known only as John Doe, the other patients believe that he bears an uncanny resemblance to Jesus Christ.