After his career fails to take off, a gifted cricketer in his mid-thirties decides that he’s not ready to give up quite yet.
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When Davis Green’s (Joseph Cross) alluring young cousin Alexis (Adelaide Clemens) appears on his doorstep one night, he discovers that a side of his family has been kept secret from him. Against his father’s wishes, Davis travels to rural, upstate New York to meet his other cousins. While wrestling with a taboo attraction to one another, he and Alexis attempt to reunite their families, uncovering the reasons behind a long-standing rift and the shocking secret that tore their fathers apart. Together, their discoveries force them to confront the temptation to keep their familial grudge going rather than end it.
NIGHT BUG (dir. by Kim Tae-Yong) Han-Jae meets gay men at a bar in Jongno District, Seoul. He first meets them through an internet site. Once they get drunk, Han-Jae steals their money. He is accompanied by Hoon and pretends he is his boyfriend. Hoon is popular, but Han-Jae ignores Hoon’s feelings for him. One day, Hoon suddenly kisses Han-Jae. ONE NIGHT (dir. by Kim Jho Gwang-Soo) Geun-Ho is almost hit by a car. At that time, Joon, who is visiting Jinju from Seoul, saves Geun-Ho. They happen to meet at a bar later that night. Geun-Ho and his friends goes to Seoul with Joon.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
A successful artist looks back with loving memories on the summer of his defining year, 1974. A talented but troubled 18-year-old aspiring artist befriends a brilliant elderly alcoholic painter who has turned his back on not only art but life. The two form what appears to be at first a tenuous relationship. The kid wants to learn all the secrets the master has locked away inside his head and heart. Time has not been kind to the old master. His life appears pointless to him until the kid rekindles his interest in his work and ultimately gives him the will to live. Together, they give one another a priceless gift. The kid learns to see the world through the master’s eyes. And the master learns to see life through the eyes of innocence again. This story is based on a real life experience.
The script, which was written on a day-to-day basis as the film was being shot, concerns the adventures of a motley crew of swindlers and ne’er-do-wells trying to lay claim to land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard an ill-fated tramp steamer en route to Mombasa.
Sidney is a writer who’s just left her L.A. Times music review gig to edit New York hip-hop magazine XXL. Dre is an executive with a hip-hop record company based in New York. They’ve known each other since they met as children, when both discovered hip-hop for the first time. Now that they’re back together, they should be perfect for each other, except that Dre’s about to marry lawyer Reese and Sidney claims not to be interested in Dre romantically. Meanwhile, Dre is growing increasingly restless with his company’s focus on profit over artistry, which leads to signing the gimmicky duo Ren and Ten while ignoring the talented Chris
The film is about the life of Aung San Suu Kyi (Yeoh) who spent more than a decade under house arrest. David Thewlis portrays Suu Kyi’s husband, Dr. Michael Aris. Rebecca Frayn began working on the project after she and her husband, producer Andy Harries, visited Burma in the early 1990s.Harries’ production company Left Bank Pictures began development of the script in 2008 under the working title Freedom from Fear. Harries wanted Michelle Yeoh as the lead and had the script sent to her.