Pacino takes us on a journey as he unravels and re-interprets Oscar Wilde’s once banned and most controversial work SALOME, a scintillating tale of lust, greed and one woman’s scorn.

The late 1950s were known as golden years in the world of motor racing, champions were made and lost on a Sunday, and no losses were greater than those of Enzo Ferrari’s Scuderia. Based on Chris Nixon’s bestselling biography Mon Ami Mate, Ferrari: Race to Immortality tells the story of the loves and losses, triumphs and tragedy of a turbulent era that shook the motor racing world.

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An analysis of director Sidney Lumet’s work (12 Angry Men, Dog Day Afternoon, Before The Devil Knows You’re Dead) in his own words, based on a five-day interview recorded shortly before his death.

101 Seconds follows two families as they join the gun control movement after members of their families are killed in a mall.

From inside Bolivia’s craziest prison a cocaine worker, a drug mule and his little sister reveal the countries relationship with cocaine.

Stand up comedy by Martin Lawrence, filmed in the Majestic Theater in New York City. Martin Lawrence talks about everything from racism, to relationships, to his childhood.

Imagine this: you go dancing at a parade, there you will be filmed and suddenly this movie appears on the net. An artist makes art out of these images. From that moment on, your face buzzes out into the digital world. This case actually exists. The dancer is called Technoviking. He has become a famous figure on the Internet. However, it also raises a lot of questions: What are the boundaries between personality rights and the freedom of art? Can such a phenomenon be curbed at all by legal means? A feature length documentary on the popular Technoviking-Meme, one of the early big video memes on YouTube that ended up in court.

At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa

The bombing of the Alfred P. Murrah Federal Building in Oklahoma City in April 1995 is the worst act of domestic terrorism in American history. This documentary explores how a series of deadly encounters between American citizens and federal law enforcement—including the standoffs at Ruby Ridge and Waco—led to it.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.