Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.
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Ryûhei Sasaki (Teruyuki Kagawa) is keeping a secret from his wife, Megumi (Kyôko Koizumi), and his two teenage sons. Even though he leaves the house every day, he’s not really going to work. He’s going to an employment office. He recently lost his job due to outsourcing, but is determined to find another position, all while supporting an old friend who is also out of work. But when Megumi accidentally finds out Ryûhei’s secret and doesn’t tell him, her trust in him, and their marriage, suffers.
Support for the far right is growing in Britain’s post-industrial towns and cities. This factual drama from the BAFTA-winning team behind Killed By My Debt and the Murdered by… films tells the story of a young man with no secure job, housing or future as he is drawn into a devastating hate crime. A steel-tipped state of the nation drama based on deep research into the realities of life in ‘forgotten Britain.’
A small town loner and a rebellious punk rocker unexpectedly fall in love as they are forced on the run and soon discover violence follows them everywhere.
An action film directed by Christian Anders and Antonio Tarruella.
The lives of three people intersect on a late bus ride that’s hijacked by a suicidal political flunky. Shingo is a miserable young desk cop bucking for homicide division. Tetsu is a restroom cleaning attendant who has a mentally ill father and a penchant for mischief. And Saki is a petulant druggist/chemist who was born without an eye and keeps her disfigurement hidden behind shades. Months after the hijacking, the trio lives re-intertwine as they playfully seek revenge for their unhappy lives, until the games become deadly serious.
The upcoming installment’s story takes place amidst signs of postwar reconstruction in the winter of 2028. Tensions are rising in New Port City as demonstrations are held concerning the interests of foreign cartels. This leads to a shooting incident involving riot police. It all started with a cyberbrain infection released by the terrorist “Fire Starter.” An independent offensive unit led by Makoto Kusanagi entrusts the suppression of the situation to their ghosts and aims for their own justice. Below the surface of the incident, lies the “tin girl” Emma and the “scarecrow man” Burinda Junior. As Kusanagi deals with the incident, she draws near to what those two ghosts were seeking.
Record store clerk Nick Brady begins to experience strange visions from an entity he calls VALIS that cause him to uproot his family and move to Los Angeles where he becomes a successful music company executive. Nick finds himself drawn into a dangerous political-mystical conspiracy of cosmic proportions.
Lamb, based on the novel by Bonnie Nadzam, traces the self-discovery of David Lamb in the weeks following the disintegration of his marriage and the death of his father. Hoping to regain some faith in his own goodness, he turns his attention to Tommie, an awkward and unpopular eleven-year-old girl. Lamb is convinced that he can help her avoid a destiny of apathy and emptiness, and takes Tommie for a road trip from Chicago to the Rockies, planning to initiate her into the beauty of the mountain wilderness. The journey shakes them in ways neither expects.
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother’s shadow, and who finds her mother still treats her like a child. Despite these problems – and further ones to do with the men in in her life – Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too.
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