This feature documentary portrays one of the most important museums in the world, the Kunsthistorisches Museum Wien. It presents a unique look behind the scenes of this fascinating institution and encounters a number of charismatic protagonists and their working fields unfolding the museum’s special world – as an art institution as well a vehicle for state representation.

Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who have won an Emmy, Grammy, Oscar and Tony Award. Over a seventy year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes.

A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.

Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.

‘Rise of the Sufferfests’ is the first feature documentary about the global obstacle race phenomenon.

They were the bad boys of hockey — a team bought by a man with mob ties, run by his 17-year-old son, and with a rep for being as violent as they were good.

A filmmaker discovers a box of video tapes depicting two students’ disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

One man’s journey to find meaning in Bill Murray’s many unexpected adventures with everyday people, rare and never-before seen footage of the comedic icon participating in stories previously presumed to be urban legend.

The History Channel marks the 20th anniversary of 9/11 with a new groundbreaking documentary about the biggest manhunt in human history. This documentary draws on interviews and stories told in the Museum’s special exhibition of the same name, and features interviews with Jan Seidler Ramirez, chief curator and executive vice president of collections, to tell the sweeping tale, linking policy, intelligence, and military decision-making as they converged on a mysterious compound in Abbottabad, Pakistan.

In 1973, five men and six women drifted across the Atlantic on a raft as part of a scientific experiment exploring the origins of violence and sexual attraction. Nobody expected what ultimately took place on that 3-month journey. Through archive material and a reunion of the surviving members of the expedition, this film tells the hidden story of the project.

Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can’t be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception

Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.