“A Film About Coffee” is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as “specialty.” The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.

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A look at a young woman’s rapid descent into insanity.

The story of the Black Panthers is often told in a scatter of repackaged parts, often depicting tragic, mythic accounts of violence and criminal activity. Master documentarian Stanley Nelson goes straight to the source, weaving a treasure of rare archival footage with the voices of the people who were there: police, FBI informants, journalists, white supporters and detractors, and Black Panthers who remained loyal to the party and those who left it. An essential history, The Black Panthers: Vanguard of the Revolution, is a vibrant, human, living and breathing chronicle of this pivotal movement that birthed a new revolutionary culture in America.

Reality Entertainment and The Sylvanic Cooperation presents “Discovering Bigfoot.” Discovering Bigfoot is the first feature film documentary with real live interaction between a Bigfoot creature, wilderness experts, PhD’s and other world renowned experts and researchers of the Bigfoot enigma.

Demetri Martin brings his off-kilter take on acoustic guitar, hairless cats, color schemes, and the word “nope” to Washington in his original special.

Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis’ sister comes to stay, we see both sides of Henry: “the guy next door” and the serial killer.

Trying to bootstrap his way out of Brooklyn’s mean streets is Diamond, a rap musician. With his long-time pal Gage acting as his manager, he’s trying to lay down a demo tape with cut-rate studio time. To pay the bills, he and Gage run drugs for “Mr. B.” Inside a week, Diamond’s beloved mother dies suddenly, his father appears after an absence of 12 years and wants a relationship, and his girlfriend Kia tells him she’s pregnant, asking him if he’s ready to be a father. Gage steals $100,000 in a multiple-felony robbery so that Diamond can record a full album, not knowing it’s Mr. B’s money he’s taken. B wants his money, Diamond wants his music, Tia wants an answer.

When a bubbly American hip hop dancer goes to India with her family for a wedding, she is impressed by a new dance style and falls in love with the man who introduced her to it.

From directors Nick Doob and Shari Cookson, “Requiem for the Dead” is made entirely from found footage, including social media posts, 9-1-1 calls, news stories and police files. The film tells the stories of those who have been killed by gunfire, whether from accidental violence, random shootings, family disputes or suicide. Hear those stories of those who have died, which is only a fraction of the 32,000 people killed in America each year, 88 per day, from gun violence.

An eighteen year old high school drop out and his twenty-seven year old friend start trafficking marijuana across the border of Canada in order to make money and their lives are changed forever.

No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago’s north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership. – Jaime M Prater