In what appears to be a cross between Critters and The Towering Inferno, the residents of a shoddy L.A. apartment block are chased up to the roof by hoards of the eponymous hairy horrors.

Progressive Amputation is introduced as a new form of punishment for particularly heinous crimes, in this pitch-black social satire by Matt Richards.

After a wildlife biologist (Marco Marchese) becomes trapped on the wrong side of the river while collecting data, he comes across an abandoned village. Taking shelter, he begins to suspect he may be sharing the grounds with more than just boar and deer.

An Australian urban legend comes screaming on the Ozploitation scene. It’s said that if you drive down the creepy road of Lemon Tree Passage, and witness a sudden flash of light in the trees, you’ll be forever haunted by the tormented spirit of a man killed by thrill speeding teenagers. Wanting to put this old wives’ tale to the test, a car-load of non-believers take the supposedly cursed journey and do indeed see a strange manifestation. But it’s not the one of popular myth – this sudden possession of one of their number involves another altogether more shocking crime. That of a young girl raped and murdered on the same stretch of highway. As one urban legend trumps another, the scared passengers must sort out the facts of both cases before vengeful justice from beyond the grave can be meted out with moody atmosphere, ghostly thrills and supernatural suspense.

Opposites attract when a broke, bohemian playboy actor falls for a sweet natured, career driven entrepreneur with a sexy identical twin sister.

When a trio of struggling and increasingly desperate thirty-something actors – Alberto, Molly and Richard – discover that A-list talent agent Carlo Lombardi is taking classes at the yoga studio where Molly teaches, they concoct the perfect scheme to convince him of their talent: Lay siege to the yoga studio, tie Carlo up, and with a gun to his head give the performance of their lives. A perfect plan! Now what could go wrong?

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

Muriel’s Wedding is P.J. Hogan’s film debut. A humorous emancipation story of an unemployed woman who evolves from a dreamer into a self sustaining successful woman. An amusing comedy that’s funny, silly, angry and serious.

In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.

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After years of treatment at a mental institution for the criminally insane, serial killer Norman Bates is finally released. Deciding to move back into his long-dead mother’s infamous old house, he soon finds himself tormented by “her” demands and begins to question his own sanity.

Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.