The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.
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Invasion Ireland is a science fiction comedy feature film. Presented in a live news format, the story begins in an Irish future where Martians are living with the Irish. Temperatures are boiling and the recession is at its worse. The world stops to watch live coverage of Zelog, a disgruntled Martian who is holding the occupants of a house in Finglas, North-side Dublin hostage. A live news crew are recording his every word and all sorts of ‘spin doctors’ and ‘know-it-all’s’ are in the studio using the possibilities of Armageddon as a platform to ‘plug’ their books and careers.
Archie (John Rhys-Davies) is a God on a mission to ensure that true love always wins. Or, short of that, that someone is going to die trying. Not that he particularly cares which outcome it is. That’s Archie’s “Bad Cupid” approach to romance and beware anyone who gets in his way, especially anyone he’s actually trying to help.
A couple on the brink of ending their marriage spend a weekend in different cities. After a cataclysmic event strikes, the husband embarks on a physical and emotional quest to return home as a nation prepares for the worst.
Two sets of two college guys spend a spring break together in Fort Lauderdale, Florida. There they have lots of fun in and out of the sun.
A struggling motel owner and her daughter are taken hostage by a nearly blind career criminal to be his eyes as he attempts to retrieve his cash package from a crooked cop.
Roger Cobb is a author who has just separated from his wife. He moves into a new house and tries to work on a novel based on his experiences in the Vietnam War. Strange things start happening around him; little things at first, but as they become more frequent, Cobb becomes aware that the house resents his presence.
When illness strikes two people who are polar opposites, life and death bring them together in surprising ways.
L. Frank Baum is attempting to write a new story. Before he has written more than his name, he is interrupted by his youngest son, Kenneth, and their dog, Dorothy. Persuaded to write about Santa Claus by Kenneth, and with the support of hos butler, he spins a yarn about a “Santanapping” preventing Santa Claus from performing his annual duties and the ambition of the young ryl, Whisk, to assist in Santa Claus’s rides, who, with Kilter the pixie and Nutter the knook, has to do just that, according to Santa Claus’s emergency orders.
A youth choir director needs to write a big song for the Christmas Eve show but finds herself distracted when a boy with a golden voice joins her choir, which will come as news to his widowed father.
Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys’ boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.
The chief of police in a quiet Arizona town is suddenly faced with the back-to-back murders of two women with the same name.
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