A strange race of human-like marsupials appear suddenly in Australia, and a sociologist who studies these creatures falls in love with a female one. Is this a dangerous combination?
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Successful woman in love tries to break her family curse of every first marriage ending in divorce, by dashing to the alter with a random stranger before marrying her boyfriend.
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A decade has passed in the small town where the original Sandlot gang banded together during the summer of ’62 to play baseball and battle the Beast. Now comes the sequel, a campy romp back to the dugout where nine new kids descend on the diamond only to discover that a descendant of the Beast lives in Mr. Mertle’s backyard–a monster of mythical proportions known as “The Great Fear.”
Chan-young, a young journalist, is sent to investigate a village which has supposedly been possessed by demons. The incidents taking place have been so strange and terrifying that local shamans and other religious leaders have simply given up, abandoning the town. But upon her arrival, Chan-young discovers that an all-star team of supernaturally-inclined heroes has assembled to rid the village of evil. This team includes Mr. PARK the exorcist, Shi-min the monk, Wol-gwang the clairvoyant, Seung-hee the tarot master, and Seok-hyeon, an engineer. Chan-young follows the heroes as they prepare for an epic battle against the village’s evil forces.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
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