London-raised Ronnie returns to his home in India to discover his mother Suleka has died in mysterious circumstances. As he uncovers a series of similar past murders, Ronnie’s own inner-darkness come to light.

Two small time crooks, Mike and Troy, are on a mission – the ‘score’ – that they both expect will transform their circumstances. At a roadside café, as they wait for the handover, Troy falls in love with the waitress, Gloria, and begins to question his life choices.

When failed comic Gus Lawton pushes his wife too far, he finds himself chasing her across the country to the abandoned farmhouse of her childhood. Given the choice between losing Deborah or living by her plan, Gus gets busy fixing up the old place. Starting with the septic tank. In a moment of desperation, he digs up the very thing he needs, a zombie who’ll do anything he wants… for now, anyway. As the zombie’s own desires threaten their plans, Gus and Deborah come together in a desperate struggle to get what they want, regardless of the cost. Zombie Dearest is a genre-bender that speaks to the “living dead” – the hunger and the horror – in all of us. It’s a wild ride that’s both smartly comic and deeply quirky.

Bonnie and Clyde is based on the true stories of the gangster pair Bonnie Parker and Clyde Barrow who in the 1930s began robbing banks in U.S. cities until they were eventually killed. The film is a major landmark in the aesthetic movement known as the New Hollywood.

The script, which was written on a day-to-day basis as the film was being shot, concerns the adventures of a motley crew of swindlers and ne’er-do-wells trying to lay claim to land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard an ill-fated tramp steamer en route to Mombasa.

A chilling horror anthology comprising five short stories, penned by an unlikely group of aspiring writers, in Sugarton – a small town plagued by the apparent return of an infamous serial killer, dubbed “Cutthroat.” They’ve come to share their scary stories (with each other and the bookstore owner, Peter, who leads the group), but soon discover they’ve become the stars of a sick killer’s own twisted tale.

While covering the annual Nobel Banquet for tabloid Kvällspressen, crime reporter Annika Bengtzon witnesses a spectacular murder right in front of her. Two people are shot, one of them the controversial Laureate in Medicine, Aaron Wiesel. Annika is the key witness and is bound by the police not to disclose anything she has seen. A terrorist group with connections to the Middle East quickly admits responsibility for the murder. International press is all over the story, as are the police.

Loneliness, death and the meaning of life, explored through vastly separate lives colliding in interweaving short stories set in future Earth.

Dark World of After Life reveals the mysteries of the afterlife. It tells the difference between soul, spirit, ghost, devil, and demons

Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate.

Corporate giant Megatoy sends a pair of documentary filmmakers into the field to see how people play with their toys. A lighthearted comedy about cannibalism, necromancy and plastic horses.

Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.