Joanna Kendall must choose between right and wrong when she accidentally hits a young girl with her car. After leaving to call for help, she returns – only to hear the reaction of horrified onlookers, who are outraged that the culprit left the scene of the crime. In a moment of panic and confusion, Joanna makes the life-changing decision to remain silent. The effect snowballs, as this perfect wife and mother must grapple with her guilt, as well as with the female detective who suspects her.
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Inspired by true events of 2010 Polish Air Force Tu-154 crash in Smolensk, the film tells the partially fictional story of crash and various people affected by the tragedy. The protagonist is a journalist Nina, who refuses to accept the official version of the story and pursues her own independent investigation.
Imagine making a feature length film with a budget equal to the cost of a small motorcycle. With a cast and crew of 32 (plus extras) this 86 minute film was shot in 14 days at 12 unique locations within south-east Texas. This is First Step Cinematics LLC’s abridged 86 minute version of Frankenstein’s Monster. The art-house special edition was screened exclusively at over 30 film festivals, science fiction and steampunk conventions across the U.S.A., Canada, and the UK. Frankenstein’s Monster Synopsis: Drama, 86 minutes. A steampunk film adaptation of Mary Shelley’s literary masterpiece. In his obsession over Prometheus’ flame, Victor Frankenstein abandons those he loves to create a living being. Leaving behind his abominable work, Victor hopes to escape judgment and return to a peaceful life. He soon discovers all secrets have their price.
Experienced New York Police Detective John Harris is sent to London to help a local task force investigate a series of gangster killings organized by a new player in town, an American.With the help of a young teen wronged by gangsters, Harris navigates London’s seedy, drug-fueled underworld in order to take down its new criminal empire.
Due to financial needs, undergraduate Tiffany took up compensated dating, regarding it as a personal choice that has nothing to do with ethics. Though at first, she’s feeling a bit uneasy, but soon she became indifferent. After one unpleasant experience serving a group of Japanese clients, she wanted to quit. But her agent Hazelnut convinced her to take up a long term sponsor Cheung. In the course of serving Cheung, a subtle feeling nourished between the two. On the other hand, she came across Rex, a young guy of integrity and passion. After one incident, she decided to quit Cheung and took up a new life with Rex. But just when she thought she could start over anew, something unexpected turned up making her realized that she had to pay for what she had chosen before…
During the Blitz of World War II, a female screenwriter (Gemma Arterton) works on a film celebrating England’s resilience as a way to buoy a weary populace’s spirits. Her efforts to dramatise the true story of two sisters (Lily Knight and Francesca Knight) who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.
On a business trip to Nashville, Brennan finds himself reunited with the “Girl” who had previously broken his heart. Now, for one weekend in the city’s music scene, a past and present romance will be reborn and challenged.
Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.
Confronted with a series of racially charged incidents, a young black man must overcome rage, alienation, and hopelessness in order to find his own humanity.
With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.
When a recently widowed mother becomes houseless, she convinces her 8-year-old daughter that they are only camping for fun while working to get them off the streets.
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