SCARS is a psychological thriller, written and directed by Canadian filmmaker Sean K. Robb. In this stark and disturbing story, Scar – a raven-haired punk with blood under her fingernails – and Scarlett – a blond beauty with a penchant for extortion – discover that they enjoy killing men together. ‘Killing dudes is easy,’ says Scar, as the two women embark on a violent and ruthless killing spree, pursued by the mysterious Det. Mike.

Everyday, thousands of immigrants line the parking lots of hardware stores and climb into cars with strangers they’ve never met, all for the promise of paid work. In Beneath Us, a group of undocumented workers are lured into the home of Liz Rhodes with the promise of their biggest payday, only to discover the terrifying fate she has in store for them.

As they approach the end of childhood, three elementary school kids must brave the woods on Halloween to face a monster born from their nightmares.

Trying to find inspiration for his next horror novel, Blake retreats to the Appalachian Mountains with his mistress, Angelica. Upon arrival they learn about the case of several missing boys in the area. When Angelica follows a lead to one of the missing boys and disappears, Blake becomes a prime suspect.

A group of urbex enthusiasts travel to the backwoods of Appalachia to capture footage of abandoned houses, when they unwittingly become the subjects of a much darker video – made by a different kind of “enthusiast”.

In the mountains of Pakistan, a mother and her ten-year-old daughter flee their home on the eve of the girl’s marriage to a tribal leader. A deadly hunt for them begins.

A group of Jewish teens are getting ready to party for the holidays but are in for a Festival of Frights. With the help of a wise rabbi, they deduce that the murder victims have violated Judaic law and that their only chance at survival is to embrace their faith.

In the distant technological future, civilization has reached its ultimate Net-based form. An “infection” in the past caused the automated systems to spiral out of order, resulting in a multi-leveled city structure that replicates itself infinitely in all directions. Now humanity has lost access to the city’s controls, and is hunted down and purged by the defense system known as the Safeguard. In a tiny corner of the city, a little enclave known as the Electro-Fishers is facing eventual extinction, trapped between the threat of the Safeguard and dwindling food supplies. A girl named Zuru goes on a journey to find food for her village, only to inadvertently cause doom when an observation tower senses her and summons a Safeguard pack to eliminate the threat. With her companions dead and all escape routes blocked, the only thing that can save her now is the sudden arrival of Killy the Wanderer, on his quest for the Net Terminal Genes, the key to restoring order to the world.

The rumor of Slit mouth woman is blasting in LA. Claire (Lauren Taylor) sees the nightmare of her every night. She met the professor of the urban legends research and talk about the phenomenon. She finds out that the incidents are not just Slit mouth woman but the other urban legends from Japan. The professor assumes that some of the homicides are relates to Japanese Urban Legends and ghosts, which are actually happened in LA. A few days later, she scared of illusion of Japanese Urban Legends and realizes that she herself is turning into the woman.

A Stranger (30s) hikes out of town and into the forest. He sets up camp for the night. He hears a deep howling, peeks his head out the tent and gets attacked — leaving him unconscious. An anonymous Man (25) drags his body to a house, which is nestled in a place that time has somehow forgotten. The injured Stranger awakens in a bed as a Woman (35) nurses him back to health. This Man and Woman play a game with this Stranger, a game that pushes him to the brink of madness.

The guests of the Station Hotel have assembled to play a game of cards. The loser will sleep in room 207, a room rumored to be haunted. It hasn’t been slept in for 20 years. As their lives tangle in a paranoid deadlock, the only escape becomes murder.

Police try to halt a psychotic killer’s (Andrew Prine) rampage against women who posed nude in men’s magazines.