In Cambria, California, Anna is hosting a New Year’s Eve party. Nina, a long-gone high school friend, makes an appearance at the party after returning to Cambria from New York. Maria, one of the guests, struggles with the feelings Nina’s presence evokes and with facing the party goers: a gaggle of eccentric millennials.
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Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
A high school outcast who lives in a trailer with his mother finally meets a friend. He wants to ask her if they can go the next step, but then sees her kissing another boy at a party. He runs home only to find his mother having sex with a drunk. He starts yelling, but is countered by the drunk when he suffocates him and makes him look like he hung himself. The scarecrow comes in when the boy’s soul is pushed into it. He goes out for revenge.
Strange Fits of Passion is a 1999 Australian film about a young woman determined to lose her virginity.
Henry VIII of England discards one wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.
The Spirit of Man (Ronald Colman) debates history with the devil (Vincent Price) before a court of fate, because of the hydrogen bomb.
Death in Love is a psychosexual-thriller about a love affair between a Jewish woman and a doctor overseeing human experimentation at a Nazi German concentration camp, and the impact this has on her sons’ lives in the 1990s.
Set in the 1970’s, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family–wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)–from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe’s spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein’s memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.
Based on true events (mostly), Freddie, a 15-year-old runaway becomes intimately acquainted with California’s “Murder City” after being released from jail, just shy of midnight. Absurdly self-reliant, completely broke and 120 miles away from her friends she has nothing to depend on but her wit and youthful charm.
Based on true events. On the edges of Las Vegas, 17-year-old Andrew’s life is spiraling out of control. Unable to cope with the loss of his father, Andrew’s descent into drugs and violence is gaining momentum, and the once promising young man is now headed for self-destruction. Andrew’s mother, helpless to control her son and fighting an addiction of her own, refuses to watch idly as her only child destroys himself. As a last resort, she hires a private company to forcibly kidnap and confine him in a locked-down and corrupt psychiatric hospital. As Andrew is subjected to the secret physical and emotional abuses of the program something inside him is re-awakened. He must somehow get free to save what’s left of his life, but to do that, he knows he must first face his own demons head-on.
A modern love story set in the near future where an AI building is powered by human feelings. Due to a software glitch, it falls in love with a real girl, escapes the building into the body of a real man, and tries to win her affections.
Stalinstadt, East Germany, 1956. While the Hungarian uprising against Soviets is taking place, teenage members of a classroom of the local school perform a seemingly harmless act that causes unexpected consequences.
One hot summer day a little girl gets lost in an enchanted forest of the mountain god where spirits reside. A young boy appears before her, but she cannot touch him for fear of making him disappear. And so a wondrous adventure awaits…
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