When bullied Molly Flowers declares her dislike of boys, her boozy and self medicated mother invents a story to shock her into a more sympathetic view. The tale of how Molly had actually been born a boy called Bradford Dillman but, because of Mum’s want for a little girl, she asked the doctors to chop her willy off. The offending item has been kept for Molly in a shoebox on top of her wardrobe which now looms over everything she does. Molly’s over active imagination manifests itself into the arrival of Bradford Dillman. When Mum denies all knowledge of the tale, who will Molly choose to believe in?

The first of three TV-versions of the classic fairy tale that featured a Rodgers and Hammerstein score and was performed in front of a live audience.

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies — the very building blocks of love.

Jeremy Irons plays a Spanish Jesuit who goes into the South American wilderness to build a mission in the hope of converting the Indians of the region. Robert DeNiro plays a slave hunter who is converted and joins Irons in his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portugese aggressors.

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.

David and Brenda are perfect for each other, and everyone knows it except David and Brenda. After a break-up, they each experience their own rough patch. For David, a self-destructive artistic endeavor and a relationship with an immature beauty—for Brenda, a failing acting career, an eviction notice, and a boyfriend who just doesn’t do it for her. A chance encounter brings them together on the streets of New York at a particularly bad time. David invites Brenda to the opening of his first photography exhibit and the stage is set for a night of drinking and flirting which leads to an untraditional proposal of how they can be together without getting back together. A sharply observed, un-romantic comedy by writer/director Mel Rodriguez III, IN STEREO is a stylish and striking first feature that offers an unflinching look at the complexity of modern relationships.

Cultures clash and families collide when an Iranian woman finds love with an eccentric bisexual artist.

Marvin (Marvin Gurewitz) and his sons (Alex Karpovsky, Stephen Gurewitz) go on a weekend camping trip, but things slowly unravel when past grudges are revealed.

The story follows Caretta “Cara” Rutledge, a woman who’s tried to move beyond a difficult past but is forced to grapple with history head-on when she returns to fix the family beach house. During one devastating storm, Cara and her mother save hundreds of sea turtles from certain death and learn some of life’s real truths in the process.

Hard-edged cop John Kimble gets more than he bargained for when he goes undercover as a kindergarten teacher to get the goods on a brutal drug lord while at the same time protecting the man’s young son. Pitted against a class of boisterous moppets whose antics try his patience and test his mettle, Kimble may have met his match … in more ways than one.

Having suffered a tragedy, Ben becomes a caregiver to earn money. His first client, Trevor, is a hilarious 18-year-old with muscular dystrophy. One paralyzed emotionally, one paralyzed physically, Ben and Trevor hit the road on a trip into the western states. The folks they collect along the way will help them test their skills for surviving outside their calculated existence. Together, they come to understand the importance of hope and the necessity of true friendship.

Vittles, songs and dance are amply ladeled out when Judy Garland headlines The Harvey Girls, a joyous musical slice of Americana celebrating the restaurants that brought extra helpings of civilization to Old West rail passengers.