Scooby and the gang have their first musical mystery in “Scooby Doo: Music of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.

Sexy puckish pickpocket Becky, a Bugs Bunny of a girl, is teasing a wallet out of a purse on a crowded Athens metro when she notices Miranda, falls in love, and the chase is on. Oops, Becky picks the pocket of a policeman on vacation, her Elmer Fudd, and he’s obsessed with catching her.

Leila, a lonely young soul spends the night partying with her friends Nancy, David and Nash in a warehouse. As the boys drink up and smoke pot all social barriers between the sexes crumble. Leila, hit on by both men, hides away from them. Alone she senses there is someone else who wants her and certainly he is not of this world. A 200 year old Dracula escapes from a crate and reveals himself to Leila and tells her that she is his lost love. For him to live again and be with her, she must bring him the blood of her friends to drink and make love to him. Hypnotized by his sexual powers, Leila does as she is told. Leila and a handsome young Dracula get away and live happily ever after.

After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world’s worst show.

It’s the Fourth of July in Los Angeles, and Jamie, a broke illustrator who is behind on his rent, tries to throw a cookout while his overbearing roommate is out of town, but everything seems to go wrong.

Undisturbed for over 20 years, this remote forested island in the Pacific Northwest is visited by a group of campers on horseback. The camp tranquility is broken by violence and terror.

In the mythical land of Huadu, Charcoal Head, a humble boy born to rule an empire must undertake his journey to claim his throne.

After witnessing a murder, a hapless pair of misfits escape their own near death experience by posing as male strippers – only to find themselves neck deep in even bigger trouble.

The New Zealand made “Eagle vs Shark” is the tale of two socially awkward misfits and the strange ways they try to find love; through revenge on high-school bullies, burgers, and video games. Love blossoms for Lily over double Meaty Boy burgers at mid-day when uber-computer nerd Jarrod comes in and leaves with free extra large fries. After gatecrashing Jarrod’s party and proving her skills on the game console, Lily goes down to Jarrod’s home town with him so he can settle an old score with a past school bully.

As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.

Game 6 is a 2005 American film directed by Michael Hoffman, first presented at the Sundance Film Festival in 2005 and released in the United States in 2006. Michael Keaton stars.
The film depicts the events of October 25, 1986 in the life of Nicky Rogan, specifically the opening of his latest play juxtaposed with Game 6 of the 1986 World Series, with a screenplay that Don DeLillo wrote in 1991. The soundtrack was written and performed by Yo La Tengo.
(from Wikipedia)

A lazy, incompetent middle school teacher who hates her job and her students is forced to return to her job to make enough money for a boob job after her rich fiancé dumps her.