The wife of a Marine serving in Vietnam, Sally Hyde (Jane Fonda) decides to volunteer at a local veterans hospital to occupy her time. There she meets Luke Martin (Jon Voight), a frustrated wheelchair-bound vet who has become disillusioned with the war. Sally and Luke develop a friendship that soon turns into a romance, but when her husband, Bob (Bruce Dern), returns unexpectedly, she must decide between staying with him and pursuing her new love.

In war torn Calcutta during the 1940’s, Byomkesh Bakshy, fresh out of college, pits himself against an evil genius who is out to destroy the world.

Eric and Kurt Sloane are the descendants of a well-known Venice, California-based family of martial artists. Kurt, the younger of the two, has always been in his brother Eric’s shadow, and despite his talent has been told he lacks the instinct needed to become a champion. But when Kurt witnesses the merciless murder of his brother at the hands of Muay Thai champion Tong Po, he vows revenge. He trains with his brother’s mentor for a fight to the death with Tong Po. At first it seems impossible to turn Kurt into the living weapon he must become to beat Tong Po, but through a series of tests and dangerous encounters, Kurt proves he has a deeper strength that will carry him through to his final showdown with Tong Po.

Based on the Christa Worthington case. An out of work fisherman has an affair with a fashion writer wintering on the Cape. She returns two years later with his child, and when she is murdered, the fisherman is the prime suspect.

Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.

Two Southern California College Students plot their escape after being kidnapped by a human trafficking ring while on Spring Break in Mexico.

Two young men strangle their “inferior” classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the “perfection” of their crime.

Kako (Fumi Nikaido) is a female high school student. She lives at a restaurant run by her family in Kitashinagawa, Tokyo. Unexpectedly, Kako’s aunt, Mikiko (Kyoko Koizumi), suddenly appears. Kako thought her aunt died 18 years ago. Her whole family is embarrassed by Mikiko’s appearance due to a past incident caused by Mikiko. Kako is also irritated when Mikiko lives in her room. They spend the summer together.

At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does – and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts – some, like Louis, who claim to have wandered in looking for choir practice, who don’t call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child – as they talk about their lives at the meeting

Charlie, a 17-year-old girl tortured by doubt, is thrilled when she becomes friends with Sarah, but when Sarah tires of Charlie and looks for a new friend, their relationship takes an ominous turn.

An ex-office worker becomes a ventriloquist, leading to a date with his unemployment counselor; but his quirky family and a gauche female friend may thwart his new career and love life.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.