The story follows a family of inbreeds who have been afflicted by a genetic disorder known as ‘Merrye syndrome’, named after the family in which the disorder developed. This malady causes its victims to enter a state of age regression that starts at the age of ten and continues throughout the remainder of the person’s life, rendering them with the intelligence of a child. The final generation of the family has been entrusted to the care of the family chauffeur (Lon Chaney Jr), and all is well for these odd people until a greedy branch of the family decides that they want to relieve the family of its home. Mental illness has always, and will always be, a fascinating subject for horror movies as it probes into the unknown and Spider Baby makes best use of that fact.

In a ghetto where religion and drug trafficking rub shoulders, Dounia has a lust for power and success. Supported by Maimouna, her best friend, she decides to follow in the footsteps of Rebecca, a respected dealer. But her encounter with Djigui, a young, disturbingly sensual dancer, throws her off course.

A group of store clerks get stuck working Christmas Eve at Xmas-O-Rama.

Half brothers Raymond and Ray reunite when their estranged father dies—and discover that his final wish was for them to dig his grave. Together, they process who they’ve become as men, both because of their father and in spite of him.

Jennifer is a tough crime beat reporter who gets the assignment of her life: to find the true meaning of Christmas. When she goes undercover in a department store as a 9 to 5 sales clerk from Black Friday to Christmas Eve, she finds her true calling and meets the man of her dreams. It’s a Christmas she will never forget.

In Waldek’s life, filled mainly with computer games, there is a real earthquake. During her absence, mum stays under the care of a crazy and unpredictable aunt, who introduces discipline that has been alien to him so far and imposes new duties. But although an extraordinary relative gives Waldek a real survival camp, the boy also receives the most valuable life lesson from her.

Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.

After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.

A man does everything in his power to keep ownership of a seaside cottage he built with his late wife.

A prisoner in a state-of-the-art penitentiary begins to question the purpose of the emotion-controlling drugs he’s testing for a pharmaceutical genius.

Unrest breaks out in eastern Helsinki as a Finnish family man gets hospitalized in the summer of 2015. Gangs of young people are burning down cars and public buildings, confronting the security guards and the riot police. The narrative goes backwards, towards the riots which mark the end of our movie. As the story begins, the unrest is still bubbling under, ready to explode any time. Vandalism and robbery are not uncommon in the suburbs; neither is violence towards the police and the security guards. Frustration, alienation, isolation and poverty corrode the asphalt surface of the multicultured society, otherwise relatively harmonious.

A haunting and nightmarish tale that tells the story of Selah, a young girl born into a repressive cult known as the Flock. The members of the Flock – all women and female children– live in a rural compound, and are led by one man, known only as Shepherd. Selah, a daughter who is on the cusp of teenage-hood, is given the great honor of participating in the sacred ritual of the birthing of the lambs – upon which they depend for survival – where she has a shocking and otherworldly experience. She begins to have strange visions that make her question her own reality, and everything the Shepherd has taught her and her sisters.