After 14 years of marriage, Tom (Joel McHale) and Janet (Kerry Bishé) still can’t keep their hands off each other. When they discover their friends are resentful of their constant public displays of affection, the couple starts to question the loyalty of everyone around them. Then, a visit from a mysterious stranger (Stephen Root) thrusts them into an existential crisis, leading to a dead body, a lot of questions, and a very tense couples vacation in this dark romantic comedy.
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A former con-artist gathers a bunch of girls and puts together an all-female rock band.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
It’s 1994: a 13-year-old boy disappears from his home in San Antonio, Texas. Three and a half years later, he is found alive, thousands of miles away, in Spain. Disoriented and quivering with fear, he divulges his shocking story of kidnap and torture. His family is overjoyed to bring him home. But all is not what it seems. Sure, he has the same tattoos, but he looks decidedly different, and he now speaks with a strange accent. Why doesn’t the family seem to notice these glaring inconsistencies? It’s only when an investigator starts asking questions that this astounding true story takes an even stranger turn.
I AIN’T SCARED OF YOU is a documentary tribute to Bernie Mac (1957-2008). From his stand-up in underground Chicago comedy clubs to the Big Screen in Hollywood, Bernie Mac’s sharp tongue and heart of gold resonated with millions of fans throughout his career.This film revisits much of his work through exclusive recordings of early stand-up, featured scenes from his film and TV appearances, and interviews with his co-stars, including Samuel L. Jackson, Cameron Diaz, Chris Rock, and many more. Testimonials from friends and family offer colorful anecdotes about Bernie Mac, from his practical jokes to his strong appreciation for manicures, and paint a vivid picture of who he was as an actor-comedian, husband, father, and friend.
A father doesn’t want his three daughters to get married. Now, it’s up to three men to try to and convince the father that they’re a good fit for his daughters.
Serial Killer Michael Myers is not finished with Laurie Strode, and their rivalry finally comes to an end. But is this the last we see of Myers? Freddie Harris and Nora Winston are reality programmers at DangerTainment, and are planning to send a group of 6 thrill-seeking teenagers into the childhood home of Myers. Cameras are placed all over the house and no one can get out of the house… and then Michael arrives home!
A mismatched team of British Special Services agents led by an American must infiltrate, in disguise, a female-run Enigma factory in Berlin and bring back the decoding device that will end the war.
When shadowy U.S. intelligence agents blackmail a reformed computer hacker and his eccentric team of security experts into stealing a code-breaking ‘black box’ from a Soviet-funded genius, they uncover a bigger conspiracy. Now, he and his ‘sneakers’ must save themselves and the world economy by retrieving the box from their blackmailers.
Cara, a women’s magazine writer, who gets burned by her boyfriend on New Years’ Eve, decides to go on a dating detox. Challenged by her employer to write about it, she hopes a spontaneous ski getaway with her best friend will spark inspiration. Complicating matters, they discover they’ve double booked their chalet with two eligible men, including Ben, an entrepreneur. When the share-mates get snowed in, Cara and Ben are thrown together.
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.
In what appears to be a cross between Critters and The Towering Inferno, the residents of a shoddy L.A. apartment block are chased up to the roof by hoards of the eponymous hairy horrors.
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