Guy Martin wants to build a working replica of a World War One tank, pass his tank driving test and drive the machine at Lincoln’s Remembrance Day parade.
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The compelling story of an extraordinary woman’s journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.
SUPERHUMAN: The Invisible Made Visible is based on the jaw-dropping experiences of individuals with extra-sensory powers that seem to defy the laws of physics known to man today. Producer and host Caroline Cory, who has her own extensive experience in the field of Consciousness Studies and Extra Sensory Perception, takes the viewers on an extraordinary journey to achieve tangible and measurable proof of these seemingly miraculous phenomena. Through a series of groundbreaking scientific experiments and demonstrations, viewers will find themselves connecting the dots about the true nature of their own consciousness, the relation between mind and matter and discover whether they live in a simulated matrix or if they can have control over their physical reality and create a fulfilling human experience. The film ultimately shows that once the invisible worlds are made visible, this attained higher awareness will transform humans into superhumans.
The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.
John Bishop’s back! After taking time out to write his autobiography, John limbered up again for his third sell-out national Arena tour, ending with a special one-off show at London’s iconic Royal Albert Hall. This latest comedy caper by the immensely talented John Bishop was described as “the funniest two hours you’ll have anywhere, anytime soon” by The Daily Mirror.
This fascinating documentary is based around the Japanese wrestling organisation Gaea’s rural training camp, and traces, in the main, the careers of four hopefuls. In charge are two magnificent specimens, the butch champion Chigusa Nagaya, still venting her hurt at the hands of her army father as she tries to whip her surrogate daughters through the pain and commitment barriers; and her sophisticated and slightly menacing Chairman. It’s a gruelling, physical film, as you would expect, but the makers don’t make heavy weather of it. And it certainly disposes of any idea that the game is faked.
1984. One shiny quarter. 44.5 hours of continuous play. The race to be the first gamer in history to score one BILLION points. Until recently, Timothy McVey (not the terrorist) thought he had — for all these years — held the world record on Nibbler. Note: a Nibbler cabinet will be available in the lobby for the duration of Fantastic Fest for attendees to attempt to break the current world record.
A woman in Pakistan sentenced to death for falling in love becomes a rare survivor of the country’s harsh judicial system.
The story of four-time World Champion Panamanian boxer Roberto Durán. A one man wrecking-ball who took on the world, transcended his sport and helped inspire a nation to rise up against its CIA funded dictator to achieve independence. From his days shining shoes on the street, to packing out arenas across the world, this is the story of modern Panama and its most celebrated child.
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Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed.
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