After the death of his brother on the road, unemployed and unstable drifter Arthur Waldo stays for a while in the rural Australian town of Paris as the guest of the mayor, who hopes he will become a permanent member of the Paris population. Arthur soon realizes the quaint hamlet has a sinister secret: they orchestrate car accidents and rob the victims. Survivors are brought to the local hospital, lobotomized, and used for a local doctor’s experiments.

Not Available

Flytrap mixes sci-fi with dark humor to tell the story of a reserved English Astronomer who becomes ensnared by the mysterious Mary Ann and her creepy and dangerous comrades. Held hostage in a twisted version of suburban San Fernando Valley, the Astronomer slowly uncovers the reason for his capture and the miserable fate that awaits him-and humanity-unless he acts.

Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe.

A night of chaos ensues when a murderous psychopath targets a loving young couple who might be harboring a secret of their own.

Menace II Society is a coming of age tale detailing the summer after its protagonist Caine (Tyrin Turner) graduates from high school. This is Caine’s story, which details real life in today’s tough inner city.

Malik (Omar Epps) is an African-American student attending on a track scholarship; academics are not his strong suit, and he goes in thinking that his athletic abilities will earn him a free ride through college. Fudge (Ice Cube), a “professional student” who has been at Columbus for six years so far, becomes friendly with Malik and challenges his views about race and politics in America.

Shinobu Takamura (Asami Mizukawa) is an aspiring painter. One day, she is accused of using counterfeit money. Shinobu is confused by the allegation, because she never did such a thing and was at home when the crime occurred. Police Officer Kanou then appears and takes her to a place. When they get there, a group of people are already gathered. All of the people there are concerned over a doppelganger like existence that looks just like them and acts like them. They call that existence “bilocation”.

Conjoined at birth, Anjana and Sanjana were twin sisters who lived by one promise made to each other – ‘We will always be together. We will never separate’. Mysterious circumstances lead to the death of one while the other survived. Years later, the ghost of the dead comes back to haunt the surviving sister. Why was the promise broken?

Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns

Princess Ariana fights for the return of her lost Kingdom and the liberation of her people. With the help of her mentor Taraka she fights the hordes of Xanthos and the evil sisters of Zurii.

A failed amusement park owner devises a plan to commit gruesome murders in the park as a publicity stunt to sell tickets.