When a fun-loving, middle-aged single mom accidentally gets pregnant, her prim teenage daughter is scandalized. But mother and daughter slowly reverse roles as the pregnancy progresses.

Four people turn to plastic surgery as the last resort in their search for perfection – their appearances will change, but will their lives?

A THOUSAND DAYS OF SOLITUDE is a tense dramatic story about a prison correctional guard who witnesses a suicide in solitary confinement and experiences moral strife when the warden bullies him to confine yet another prisoner to ‘the hole’ – left with a decision, obey the warden’s protocol or fight it.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman’s beloved woman escapes the village life and moves to the city. Postman’s outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters’ stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

Bima and Dara are lovers who are still in high school. At the age of 17, they were determined to copulate outside of marriage. Dara was pregnant. Both are then confronted with a life that is unimaginable for children of their age, life as parents.

Shy girl Molly is having a party. She is inviting her school bullies and has planned one hell of a night. After a party trick goes horribly wrong, each guest is forced into a macabre game of life and death by an ancient demon who forces them to tell horrifying stories.

One year after the events of “Kickboxer: Vengeance”, Kurt Sloan has vowed never to return to Thailand. However, while gearing up for a MMA title shot, he finds himself sedated and forced back into Thailand, this time in prison. He is there because the ones responsible want him to face a 6’8″ 400 lbs. beast named Mongkut and in return for the fight, Kurt will get two million dollars and his freedom back. Kurt at first refuses, in which a bounty is placed on his head as a way to force him to face Mongkut. Kurt soon learns he will have no other choice and will undergo his most rigorous training yet under some unexpected mentors in order to face Mongkut in hopes to regain his freedom.

Four women attempt to achieve Hollywood recognition despite the setbacks of life.

Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.

Jacob is quickly digressing into a state of insanity as Davis and Michael are confronted with a new issue: global disease, which only makes matters worse. In a race against the clock, they see the world fade around them, and letters and envelopes seem to be all that’s left for mankind.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Sawa, a home helper for a middle class family with an elderly infirm grandfather, is forced to stretch her morals to keep her job. As a result, she finds herself broke and out on the street. She survives her first night by striking up an ambiguous friendship with a kindly old man, gaining access to a portion of the immense wealth held by Japan’s aging population. She continues with similar encounters, and while these begin as scams or revenge on rampant sexism, they ultimately become vulnerable intergenerational exchanges.