Albert and David Maysles’ classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill’s childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard’s recollections and artistic vision, we are returned to “that summer” in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.

Selections include Kelley’s Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!

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At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.

A Life Ascending chronicles the life of acclaimed ski mountaineer and mountain guide Ruedi Beglinger. Living with his wife and two young daughters on a remote glacier in the Selkirk Mountains of British Columbia, Beglinger has built a reputation as one of the top mountaineering guides in the world. The film follows his family’s unique life in the mountains and their journey in the years following a massive avalanche that killed seven people. Documenting the sublime beauty and ever-present risk of a life lived on the edge, the film ultimately explores the power of nature as both an unforgiving host and profound teacher.

A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]

Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

Ride along as Zedd explores new territory with his latest album, ‘True Colors,’ and get a behind the scenes look at everything from making the album, the most ambitious EDM arena tour in history, and a series of intimate fan experiences you won’t believe.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it’s over, you are changed, abandoned, and left wondering what is real and what was merely a game.

LIVING IN THE AGE OF AIRPLANES offers a fresh perspective on a modern-day miracle that many of us take for granted: flying. Narrated by Harrison Ford and featuring an original score from Academy Award® winning composer James Horner, the film takes viewers to 18 countries across all seven continents to illuminate how airplanes have empowered a century of global connectedness our ancestors could never have imagined.