Australian thriller film about a Muslim man (Firass Dirani) who kidnaps an elderly Melbourne Jewish woman (Julia Blake) and holds her hostage.

The movie begins as an old English woman Amy Wilkinson (Carole Trungmar) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947 to return Thali necklace (sacred thread tied around the neck of the bride by her groom) of his mother, which he gives as a sign of stating that she belongs to India and nobody can separate them. She wants to return that back to him, as she gets married to other man in her home town and it no more belongs to her.

When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl’s aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons – they’re not cops and they know the tough neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve the case, they are faced with a moral dilemma that tears them apart.

Things are different for the Pontipee men now that big brother Adam’s fetched a bride and brought her to their cabin. Indeed, the unwed brothers are so inspired they raid the town and carry off brides of their own!

Ex-gang member John Henry is a quiet man with a violent past. When two immigrant kids on the run from his former South Los Angeles gang leader stumble into his life, John is forced to reconcile with his past in order to try and give them a future.

Two wounded souls commiserate through drinking and aimless wandering while acting out the roles of the happy relationships that elude them in reality. Greta Gerwig and Olly Alexander deliver beautifully-tuned comic performances in their portrayal of young adults learning to cope with the unavoidable perils of emotional dependency.

An American journalist is set up and fed false information after the Lebanon war.

When an evil dictator threatens to take over the kingdom, Princess Rosalinda gets put into the Princess Protection Program. She is taken under the wing of General Joe Mason, an agent from the agency, and his daughter, Carter, who works after school at a nearby bait shop. Rosalinda goes undercover as a regular teen named, Rosie with the help of Carter. In turn, Rosalinda helps Carter overcome insecurities with herself and her crush on Donny who also likes her but can’t tell or get shy.

Two men share an odd friendship while they care for two women who are both in deep comas.

After he and his first wife separate, journalist David Sheff struggles to help their teenage son Nic, who goes from experimenting with drugs to becoming devastatingly addicted to methamphetamine.

Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.

Isabella is a disconnected and angry young woman. Her life was shattered at 13 when her Italian mother died of cancer. Her successful British father Frank, who harbors a painful secret, chose to lose himself with work and outsource Isabella’s care and upbringing to nanny’s, tutors and eventually therapists. Many years later Frank had remarried to a wonderful Italian woman, Claudia, who manages to convince Frank that they all need to get away from work, from the city, from internet and spend a month close to nature on a remote Italian country estate and hopefully reconnect to each other.