Meet John G Morris, 95, a legend of photojournalism, whose unerring eye for the best shot has moved and changed the world. Morris, former Picture Editor of Life Magazine & New York Times was instrumental in the early years of Magnum with his friends and peers Robert Capa & Henri Cartier Bresson. This film covers serious subjects; the coverage of conflict through photojournalism, a sensitive view of humanity and a search for peace in the world.
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A sobering look at the erosion of democracy & freedom of the press in the United States and abroad.
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Featuring interviews with key political figures including President George W Bush, Vice President Dick Cheney, Donald Rumsfeld, Rudolph Giuliani, Michael Bloomberg, and media heavy hitters Dan Rather, Tom Brokaw and Matthew Broderick, this documentary event examines 9/11 through the lens of the last 15 years. Brought to life by photos declassified in 2016, recently released documents from the 9/11 commission, and never before heard stories from photographers and first responders, a new perspective will arise to provide an unrivaled viewpoint of the historic attack.
A history and tribute to British Jim Marshall’s amplifiers, which since then became the standard of rock’n’roll amplifiers ever since.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
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The story of Daniel Jones, lead investigator for the US Senate’s sweeping study into the CIA’s Detention and Interrogation Program, which was found to be brutal, immoral and ineffective. With the truth at stake, Jones battled tirelessly to make public what many in power sought to keep hidden.
Cleveland ‘Stack’ Stackhouse is a guard with the Texas Correctional Youth Authority who witnesses the cycle of destructive choices and racial tensions among female teen offenders and decides to do something about it. He gathers African-American, Latina and Caucasian teens, and organizes a multi-racial track team behind the bars of the prison. Participation in Stack’s track team not only breaks down the racial divides between the girls, but puts them on a path to turn their lives around.
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