An unlikely basketball team of unappreciated middle-aged Texas women, all former high school champs, challenge the current high school girls’ state champs to raise money for breast cancer prevention. Sparks fly as the women go to comic extremes to prove themselves on and off the court, become a national media sensation, and gain a new lease on life.

SHOOTING FOR SOCRATES is a David Vs. Goliath set in Belfast against the backdrop of the 1986 World Cup. It tells the story of a momentous time in Northern Ireland’s football history through the eyes of players, fans and the media. The film also follows the lives of passionate football supporter Arthur and his son Tommy from East Belfast. The lead up to a momentous day in the life of a young boy (his 10th birthday) mirrors the build up to the big day for the Northern Ireland football team as they play the greatest match of their lives.

Between raising a teenage boy and growing up with a Filipino mother, stand-up comic Jo Koy has been through a lot. He’s here to tell you all about it.

The second film from British director Guy Ritchie. Snatch tells an obscure story similar to his first fast-paced crazy character-colliding filled film “Lock, Stock and Two Smoking Barrels.” There are two overlapping stories here – one is the search for a stolen diamond, and the other about a boxing promoter who’s having trouble with a psychotic gangster.

A quick-witted drifter wanders into a lawless town in the midst of a gold rush. Shocked by the prices of food and meals he reluctantly takes the job of sheriff by amazing the Mayor with his lightning quick, dead eye pistol accuracy. He makes the town council know that he is really just passing through on his way to Australia and he will pull up and leave anytime he chooses (including at the first sign of real trouble). His first day on the job he takes on the biggest, meanest ranching family and meets his klutzy love interest.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.

Back in middle school after summer vacation, Greg Heffley and his older brother Rodrick must deal with their parents’ misguided attempts to have them bond.

When a devastating attack shatters Mark Hogancamp and wipes away all memories, no one expected recovery. Putting together pieces from his old and new life, Mark meticulously creates a wondrous town named Marwen where he can heal and be heroic. As he builds an astonishing art installation — a testament to the most powerful women he knows — through his fantasy world, he draws strength to triumph in the real one.

All too often, every great female rock musician has to answer a predictable question – what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels – the rock chick, the girl band or one half of the rock ‘n’ roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock’s frontline to discover if it has always been different for the girl in a band.

WORST FRIENDS is the story of two childhood friends who are forced to re-think their friendship as adults. When Jake (Richard Tanne) is injured in a car accident, the only person willing to take care of him is his childhood friend Sam (Noah Barrow). With the aid of a tough-as-nails physical therapist (Cody Horn), Sam helps Jake recuperate, but when Sam’s high school crush (Kristen Connolly) enters the picture, old habits and bitter rivalries resurface, threatening to tear their friendship apart.

Not Available