Poppy Summerall is hired near Halloween as a temporary nanny by Ryan Lawson, a widowed, work-obsessed executive. Through a series of adventures, the eternally optimistic Poppy sets out to teach Ryan and his two young children what is important in life – unconditional love, family and the joy of everyday occurrences. Poppy and Ryan soon find they are drawn to each other. Could it become more than temporary?

Dorottya is a young Hungarian actress with a burning desire: to make it on the English stage. Legendary actor, Sir Michael Gifford suffers from an incurable disease, and has one desire: be left alone. When Dorottya becomes his carer they both hope their wish will be fulfilled.

When Chihaya Ayase was in the 6th grade of elementary school, she met Arata Wataya. Arata Wataya transferred from Fukui Prefecture. Taichi Mashima was Chihaya Ayase’s friend since they were little. Arata got close to Chihaya and Taichi from the card game karuta. Four years later, Chihaya is a high school student. Chihaya learns that Arata, who went back to Fukui Prefecture, doesn’t play karuta anymore. Believing they will meet Arata again, Chihaya and Taichi starts a karuta club at their high school.

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

Through a series of misunderstandings, Alvin, Simon and Theodore come to believe that Dave is going to propose to his new girlfriend in New York City – and dump them. They have three days to get to him and stop the proposal.

Max Keeble, the victim of his 7th grade class, plots revenge when he learns he’s moving; it backfires when he doesn’t move after all.

A thousand years ago, the Leprechaun left a bloody trail when he ripped through the countryside in search of his stolen gold. Now he’s back in the big city using all of his deadly tricks to snare the girl of his nightmares. His bloody quest becomes more deadly when her boyfriend steals one of the Leprechaun’s gold coins. The town soon discovers two dead bodies and a trail of gold dust leads them to the Leprechaun’s lair.

Mo Ali’s futuristic knife-crime drama brings the dystopian environment of CHILDREN OF MEN and DISTRICT 13 to London’s East 17. SHANK delivers a ruthless vision of forthcoming urban life, where guns have been superseded by knives and are fiercely wielded by aimless youths. Amidst the chaos is the Paper Chazers gang, a rare morally conscious group who trade scavenged food for money. After Chazers gang member, Junior (Kedar Williams-Stirling), witnesses his brother, murder he must decide whether to get revenge of stick to the gangs moral code… In this superbly paced and artistic film, present-day social issues, and murky city streets, provide a perfect canvas for imagination and action.

After the death of their mother, three foster sisters – the shrewd business woman, the free spirit, and the caregiver – find themselves fighting for their individual dreams and fighting each other in this tale of love, lust, and tragedy.

Charlie and Lisa, two divorced parents in their 40’s who find themselves at a midlife crossroads. Both are single parents and they have four complicated teenagers.

Two friends visit fire-ravaged Ojai, California, intent on making a fake documentary about the infamous Ojai Vampire. However, things take a bizarre and frightening turn when they learn about a different local legend: The Char Man.

A comedy of life’s temptations – lust, greed and power. The city in question is Sydney and the colour green signifies greed and envy in David Williamsons amusing satire on its film and publishing industries. The story centers around the Rogers family, loosely modelled on Williamson’s own.