“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.
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Sarah tells Paul that she wants out of their marriage; the next day she disappears. A year later and Paul along with their children return to his childhood town to start anew after the loss of his wife and their mother.
To The Beat follows 14-year-old twins Mia and Mackie Castillo – dancers since they were toddlers. Beginning at just three years old, that’s been their one true passion. They support each other through competitions and rehearsals, even though they dance different styles. Mia loves tap and Mackie loves jazz. When their favorite pop star launches an online contest to find the most unique dance group for his next music video, the twins each form their own team to compete for the chance to dance in the video – enlisting their friends and family to help gain online votes. Meanwhile, their arch rival and neighbor, Avery, the best dancer of all (who knows it too) uses her charm and resources to get the upper hand in the competition.
Test pilot Tuck Pendleton volunteers to test a special vessel for a miniaturization experiment. Accidentally injected into a neurotic hypochondriac, Jack Putter, Tuck must convince Jack to find his ex-girlfriend, Lydia Maxwell, to help him extract Tuck and his ship and re-enlarge them before his oxygen runs out.
Joe Johnson, at the top of his stand-up comic game, decides to share a Halloween weekend away with a group of friends. They decide on the theme of a 1980s retro party, and jokingly suggest that if they get drunk, high, and behave badly enough, hopefully they’ll attract their own psycho killer. The joke is suddenly very much on them though, as in turn they reach their grisly demise at the hands of The Heckler, an uninvited guest out to turn their nostalgic horror movie fantasy into a terrifying reality, before delivering an unforgettable punchline…
The lives of a filmmaker, pianist, painter, and architect collide and intertwine in a multilayered tale of love, art, violence, and power dynamics that ultimately questions, what is real?
Because he’s the oldest, Jake has been the man of the house, since his parents divorce. When Mom starts seeing Sam, who always seems to be trying some new way to get rich quick, and declares he’s the man of the house now, Jake puts up with it. Until he discovers Sam’s illegal activities.
Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.
In Germany, as graduate student Katie Armstrong researches cannibal killer Oliver Hagen for her thesis, she becomes obsessed with her subject and ultimately plunges into a lifestyle similar to Hagen’s and the thousands of people like him.
Susan is a newspaper staffer who decides to generate some Christmas spirit by writing an article about her family’s storied 100-year-old, hand-carved, heirloom Christmas angel. This leads her to accidentally meet Brady, a cute, upbeat artist who insists that he and Susan become fast friends (at least). It turns out that this angel also has the spiritual power to bring people together – as it seems to be doing with Susan and Brady. What’s behind this enchanted ornament? As time moves on, more about this captivating artifact is revealed.
Following the unexpected success of the band’s debut album “No Hopers, Jokers and Rogues”, we re-join them almost a year later, struggling with the pressures, pitfalls and temptations of their newfound fame, second album syndrome, and performing on the pyramid stage at Glastonbury.
When San Francisco pet shop owner Willa Davis encounters the man who stood her up in high school, she fights both her head and her heart when she starts falling for him all over again ten years later.
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