Wisconsin – birthplace of the Republican Party, government unions, cheeseheads and Paul Ryan – becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the GOP.

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A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group’s 1980 double-album in its entirety.

In this provocative documentary, worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy consider the impact of technological advances on the two certainties of human life: work and death. Charting human developments from early man, past the Industrial Revolution, to the digital age and beyond, THE FUTURE OF WORK AND DEATH looks at the astonishing exponential rate at which mankind creates technologies to ease the process of living. As we embark on the next phase of our ‘advancement’ with automation and artificial intelligence driving the transformation from man to machine, the film gives a shockingly realistic look into the future of human life.

Scott Hall tells his life-story, from his rise to super-stardom in the world of professional wrestling to his downfall from it, due to alcohol abuse to his redemption to stay clean and reclaim his life and his family.

Before forensics, DNA, and CSI we had dollhouses – an unimaginable collection of miniature crime scenes, known as the Nutshell Studies of Unexplained Death. Created in the 1930s and 1940s by a crime-fighting grandmother, Frances Glessner Lee created the Nutshells to help homicide detectives hone their investigative skills. These surreal dollhouses reveal a dystopic and disturbing slice of domestic life with doll corpses representing actual murder victims, or perhaps something that just looks like murder. Despite all the advances in forensics, the Nutshells are still used today to train detectives. Documentary film, Of Dolls and Murder, explores the dioramas, the woman who created them, and their relationship to modern day forensics. From the iconic CSI television show to the Body Farm and criminally minded college students, legendary filmmaker and true crime aficionado, John Waters narrates the tiny world of big time murder.

The Clark Little Story is a genre defining action/adventure nature documentary film highlighting a whole new generation of action wave photography. Dive into the life of renowned water photographer, Clark Little, as he takes on the world’s most dangerous shorebreak around the island of Oahu. When he’s not in the water, Clark shares the insider tips and techniques that have taken his photos from his living room wall to inside the Smithsonian. Filmed and edited by surf personality, Peter King, Shorebreak is one hour of non-stop action that will have you inspired and prepared to start capturing your own shorebreak moments.

Each year in the United States, unparalleled innovations in medical diagnostics, treatment, and technology hit the market. But when the same devices designed to save patients end up harming them, who is accountable?

Using previously unheard audiotapes recorded shortly after John Belushi’s death, director R.J. Cutler’s documentary feature examines the too-short life of the once-in-a-generation talent who captured the hearts and funny bones of devoted audiences.

A personal documentary about a public subject, My Father’s Vietnam personifies the connections made and unmade by the Vietnam War. Featuring never-before-seen photographs and 8mm footage of the era, My Father’s Vietnam is the story of three soldiers, only one of whom returned home alive. Interviews with the filmmaker’s Vietnam Veteran father, and the friends and family members of two men he served with who were killed there, give voice to individuals who continue to silently carry the psychological burdens of a war that ended over 40 years ago. My Father’s Vietnam carries with it the potential to encourage audiences to broach the subjects of service and sacrifice with the veterans in their lives.

Norval Morrisseau was the first Indigenous Canadian artist to be taken seriously in the art world. By the turn of this century his work commanded tens of thousands of dollars. So when Barenaked Ladies keyboardist Kevin Hearn learned his prized painting was a forgery, he sued. But as Jamie Kastner’s doc reveals, there was a cottage industry in fake Morrisseaus, an industry that flourished unchecked for years, feeding on greed, exploitation, racism and contempt.

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