The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

The Oggly family arrive at the municipal rubbish dump of Smelliville and must look for a new home, but they never feel really welcome anywhere. They stink and are for most humans just a tad too oggly. When Firebottom, the family dragon, crash-lands on the run-down rubbish tip of the small town of Smelliville, the Ogglies at once feel at home. And it’s here they want to stay.

An alcoholic mother trying to flee her life, moves to a new house with her young son where she must battle her addiction as she is confronted by a real-life monster.

A crime syndicate places a hit on a billionaire’s daughter, making her the target of an elite assassin squad. A small band of down-and-out mercenaries protects her, fighting tooth and nail to stop the assassins from reaching their target.

The Professionals is a 1966 American Western film directed by Richard Brooks. A kidnap-rescue adventure set in about 1917, it features a small group of experts heading into Mexico to free the Mexican-born wife of a wealthy Texan from several hundred bandits. The film is based on the novel A Mule for the Marquesa by Frank O’Rourke.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo’s Broadway role, becomes a sensation and even causes turmoil in the lives of Margo’s director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

Stroker Ace, a champion NASCAR driver, is standing at the top of his career, but is getting fed up with having to do as he’s told. In between rebelling against his sponsor (a fried chicken chain)’s promotion gimmicks (like making him dress up in giant chicken suit) he spends the rest of the movie trying to bed the buxom Pembrook.

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Returning to a “home” they hardly know after being deported from their adopted countries for minor criminal offenses, three people from very different backgrounds try to make a new life for themselves, in Jamaica in this gutsy drama from writer-director Sudz Sutherland. (TIFF)

Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.

Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.

Four friends confide in each other over the final weeks of Summer in hopes to fix severed familial ties, strengthening the bonds between them in the process.