New York concierge Doug Ireland wants to go into business for himself and refurbish a hotel on Roosevelt Island, N.Y., but he needs an investor. With a few weeks left before his option on the site runs out, Doug agrees to help wealthy Christian Hanover conceal his affair with salesgirl Andy Hart from his wife. Despite his own attraction to Andy, Doug tries to stay focused on getting Christian to invest $3 million in his project.
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The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
While young and in her prime, Nadia decides to retire from pro swimming after the Olympic Games; to escape a rigid life of sacrifice. After her very last race, Nadia drifts into nights of excess punctuated by episodes of self-doubt. But even this transitional numbness cannot conceal her true inner quest: defining her identity outside the world of elite sports.
Paul Gauguin feels smothered by the atmosphere prevailing in Paris in the year 1891. Around him, everything is so artificial and conventional: he needs authenticity to renew his art. Failing to convince his wife Mette and his five children to follow him to Paradise Lost, he sets out for Tahiti alone. Once there, he chooses to settle down in Mataiera, a village far away from Papeete, installing himself in a native-made hut. He soon starts working passionately, painting and carving in a style close to the primitive art specific to the island. During his two-year stay the artist will experience poverty, cardiac problems and other displeasures but also happiness in the arms of Tehura, a beautiful young native girl.
A victim of personal and financial failure, Tony long ago gave up his dreams of singing and performance. But now, even his day job has disappeared, prompting in Tony feelings of self-loathing and worthlessness. Desperate, Tony is prepared to sink to crime to pay his bills, but he finds himself incompetent at even that. Withering under the gaze of the meth dealer, Art, Tony is now a completely broken man: robbed, lifethreatened and miserable. He makes his last gamble and loses it all. However, just at the moment his life becomes a complete nightmare, his friend Jerry is there to guide Tony back.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud’s nephew Lon admires Hud’s cheating ways, though he soon becomes too aware of Hud’s reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He’s a cheat, but, he explains, “I always say the law was meant to be interpreted in a lenient manner.”
Australian small-town cop Gary (Eck) enjoys his nearly pastoral existence, with traffic violations providing the major excitement to his normally low-key days. While away from work, Gary spends a good deal of time fantasizing about local news reporter Julia (Kirstie Hutton), who would just as soon relocate to the thriving metropolis of Sydney. Soon, however, a motorcyclist is found decapitated, with a construction worker, a sailor, and a cowboy and Indian also meeting the same fate. With some murderous weirdo with some sort of Village People fixation terrorizing the town, Gary — with the help of big-wig city detective and Don Johnson-wannabe Tony Charles (Mir) — begins to realize that a cop is the last remaining victim to be murdered in order for the killings to be complete. …
An immigrant travels from Sedona to Los Angeles to seek revenge against the immigration lawyer who ruined her life.
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