The beautiful Shizuko (Aya Sugimoto) and her husband Tooyama Takayoshi (Jo Shishido) have a loving relationship, But Takayoshi is getting older and isn’t always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.
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After many years Pooch returns to his neighbourhood. To Big Boy, his best friend, Pooch is valuable asset in his plans of becoming local crime lord. To Pooch, this reunion is painful because he is, actually, undercover cop sent to bring Big Boy down.
Strike is a young city drug pusher under the tutelage of drug lord Rodney Little. When a night manager at a fast-food restaurant is found with four bullets in his body, Strike’s older brother turns himself in as the killer. Det. Rocco Klein doesn’t buy the story, however, setting out to find the truth, and it seems that all the fingers point toward Strike & Rodney.
Swapna, a nyctophobic, a game designer, who is on a turbulent road to recovery from an incident that scarred her deeply, has to fight her inner demons to stay alive in the game called life.
A landlady suspects her new lodger is the madman killing women in London.
A ruthlessly ambitious Scottish lord siezes the throne with the help of his scheming wife and a trio of witches.
After three tours in Iraq, traumatized and adrift Kerryann struggles to regain her sense of purpose. Cut off from family and friends and arguing with the constant static in her head, she falls in with a corrupt cop and his Tea Party accomplice , filling her with drive and direction. Her new companions seize on her military training as the key to a big- money heist. Will she be able to assimilate into civilian life, or will her need for a mission destroy her?
It is the dawn of World War III. In mid-western America, a group of teenagers band together to defend their town, and their country, from invading Soviet forces.
Based on true events, “Lady of Guadalupe” is a moving religious discovery juxtaposing folklore and the present day. Historically significant recreations are used to illustrate the origin of her prevalent and powerful symbolism of Mexican identity and faith. When a young and ambitious reporter (Guillermo Iván) is assigned an article on faith, he finds himself enmeshed in the legend of Juan Diego and Our Lady of Guadalupe. Skeptical of miracles and the importance of modern-day Christianity, the reporter’s investigation takes him from cynic to true believer as his personal limits are tested.
A service which creates holographic projections of late family members allows an elderly woman to spend time with a younger version of her deceased husband.
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