A widow with three children hires a handyman to fix her house during a major storm. When not doing home repairs, he shares his philosophy of believing in the power of the universe to deliver what we want.

A long-divorced couple are reunited on a blind date and agree to fix each other up with friends and colleagues. While fix-up after fix-up fails to work out for either of them, they begin to wonder if perhaps they aren’t the right match for one another after all.

A merciless hit man rescues a prostitute from a violent incident in a Philippine slum before the two take flight. Though Khavn, a standard-bearer of the digital age in the Philippines, has already established himself as a director of countless films, he is also an accomplished poet and musician. The bewildering visuals and punk-opera soundtrack expertly convey a world that extends far beyond the dialogue. As the story unfolds, a poetic sentiment wafts out of the chaos, signaling a collision of the director’s many talents.

Artie is pure bred trailer trash. He has zero ambition, is everyone’s favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She’s his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he’s not going to hide. Artie’s love for April doesn’t give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April’s brains.

Ms. Isabel Archer isn’t afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father’s will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.

When the executives at Heartstrings Press wants to drop Michael Rothchild’s next romance book, junior editor, Dori Shephard, argues her way into working as the lead editor. But Dori’s dream job becomes her nightmare as she realizes Michael isn’t everything she imagined. Dori breaks the news to Michael that the executives think he’s an ill-mannered, washed up novelist and want to terminate his contract. Not wanting to be dropped from Heartstrings Press, Michael agrees to work with Dori for 30 days. While Dori wrestles with Michael’s languorous behavior she’s also in the midst of planning her wedding to her fiancé, Philip. However, things go awry for Dori when work becomes an obstacle in her relationship. Dori must learn what true love really means before it’s too late.

Abby, obituary writer turned author, is used to making up quirky, charming characters in her books, but here in Bliss it almost seems like those characters have sprung to life, and Abby is fantasizing about moving right in. The townspeople have set their matchmaking minds in motion and they aren’t about to let Abby leave without a little love in her heart.

After getting dumped by his girlfriend Tiffani (Rebekah Kochan), Caleb (Scott Lunsford) commiserates with his roommate Kyle (Jim Verraros), who notes that while he has trouble getting the men he wants he could get any woman because he’s gay.

Shiori has just moved to a new apartment. One evening, she hears a mysterious voice that claims to be “from the future” asking her to trail Susumu Hirano, who lives next door. Shiori in an attempt to solver the mystery began to investigating more and more about Hirano until she gets attracted to him.

Elio Perlman is spending the summer with his family at their vacation home in Lombardy, Italy. When his father hires a handsome doctoral student, the curious 17-year-old finds himself developing a growing attraction to the young man.

In a contemporary adaptation of the Jane Austen classic, “Pride and Prejudice: Atlanta” follows Reverend Bennet (Reginald VelJohnson, “Family Matters”), a pastor of a prominent southern Baptist church and his wife Mrs. Bennet (Jackée Harry, “Sister, Sister”), who is the author of a self-help book on how to find the perfect husband. Needless to say, Mrs. Bennet is less than thrilled that all five of their daughters, Lizzie (Tiffany Hines, “Toni Braxton: Unbreak My Heart”), Jane (Raney Branch, “Being Mary Jane”), Mary (Brittney Level, “The Purge”), Lydia (Reginae Carter, “Growing Up Hip Hop: Atlanta”) and Kitty (“Alexia Bailey”), are still single. When the very eligible Will Darcy (Juan Antonio, “Empire”) arrives in town, Mrs. Bennet sets her sights on the handsome bachelor for daughter Lizzie, leading to a modern-day, comedic take on themes familiar to fans of the novel.

Fifteen-year-old Charlotte Flax is tired of her wacky mom moving their family to a different town any time she feels it is necessary. When they move to a small Massachusetts town and Mrs. Flax begins dating a shopkeeper, Charlotte and her 9-year-old sister, Kate, hope that they can finally settle down. But when Charlotte’s attraction to an older man gets in the way, the family must learn to accept each other for who they truly are.