When hedonistic but charming con man Elmer Gantry (Burt Lancaster) meets the beautiful Sister Sharon Falconer (Jean Simmons), a roadside revivalist, he feigns piousness to join her act as a passionate preacher. The two make a successful onstage pair, and their chemistry extends to romance. Both the show and their relationship are threatened, however, when one of Gantry’s ex-lovers (Shirley Jones) decides that she has a score to settle with the charismatic performer.

When a cop’s crooked past comes back to get him, can he do the right thing, or will he succumb to the threats of his dangerous connections?

The lines of real life and fantasy begin to blur, as the director starts to suspect that he may only be a character in the story manipulated by the writer in order to get him to direct the play the way she wants, but also to stimulate her creativity.

A man, his dog, a young woman and a filmmaker in a house by the Caspian Sea. All three are wanted, but they are also in search of each other. Thus begins an absurd game in which reality and fiction merge.

Joe Moore has a job he loves. He’s a thief. His job goes sour when he gets caught on security camera tape. His fence, Bergman reneges on the money he’s owed, and his wife may be betraying him with the fence’s young lieutenant. Moore and his partner, Bobby Blane and their utility man, Pinky Pincus find themselves broke, betrayed, and blackmailed. Moore is forced to commit his crew to do one last big job.

A young and naive college art student becomes obsessed with assuming the identity and personality of a departed coed who used to live in her room, and in so doing causes complications that result in two men, a student and her art professor, lusting after her.

Mandy Moore stars as Halley, a young hip high school student who’s convinced true love doesn’t exist based on the crazy relationships around her. Her mother is divorcing her father who is dating a younger woman Halley can’t stand. Her crazed sister is planning a wedding but has second thoughts and her best friend has fallen madly in love for the first time leaving Halley to feel even more alone.

A young Parisian woman begins a sordid affair with a middle-aged American businessman who lays out ground rules that their clandestine relationship will be based only on sex.

Air Force Major Lloyd Gruver (Marlon Brando) is reassigned to a Japanese air base, and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily an officer who is by-the-book, Gruver must take a position when a buddy of his, an enlisted man Joe Kelly (Red Buttons) falls in love with a Japanese woman Katsumi (Miyoshi Umeki) and marries her. Gruver risks his position by serving as best man at the wedding ceremony.

Chuck, a top international manager for FedEx, and Kelly, a Ph.D. student, are in love and heading towards marriage. Then Chuck’s plane to Malaysia ditches at sea during a terrible storm. He’s the only survivor, and he washes up on a tiny island with nothing but some flotsam and jetsam from the aircraft’s cargo.

Antoine and Laurent, old friends, spend their vacation in Corsica with their respective daughters: seventeen-year-old Louna and eighteen-year-old Marie. One evening at the beach, Louna seduces Laurent. Louna is in love, but for Laurent it was nothing more than a momentary distraction. Without revealing her lover’s name, Louna confides in her father, who tries by any means to discover who his daughter’s lover is. How long will the secret be able to be kept hidden?

Set in a blighted, inner-city neighbourhood of London, Breaking and Entering examines an affair which unfolds between a successful British landscape architect and Amira, a Bosnian woman – the mother of a troubled teen son – who was widowed by the war in Bosnia and Herzegovina.