In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.

Rich Mr. Dashwood dies, leaving his second wife and her daughters poor by the rules of inheritance. Two daughters are the titular opposites.

Cousins Thomas and David, owners of a mobile restaurant, team up with their friend Moby, a bumbling private detective, to save the beautiful Sylvia, a pickpocket.

A womanizer meets his match when he falls for the daughter of a gambling addict who is in debt to the mob.

In an attempt to rectify their criminal past, a once successful Hollywood starlet, turn prostitute, and a petty, misogynistic thief, set out together to solve a high profile child abduction case in San Francisco.

Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.

The Fantastic Four is an unreleased low-budget feature film completed in 1994. Created to secure copyright to the property, the producers never intended it for release although the director, actors, and other participants were not informed of this fact. It was produced by low-budget specialist Roger Corman and Bernd Eichinger (who also produced another Fantastic Four movie in 2005).

A New Jersey guy dedicated to his family, friends, and church, develops unrealistic expectations from watching porn and works to find happiness and intimacy with his potential true love.

A conflicted young couple, a poly amorous trio trying to dig a hole, and a mysterious recluse spin a tale of love, murder and madness.

Under the rule of King David, Israel is united and prosperous although surrounded by enemies including Egypt and its allies. The aging King David favors his younger son, Solomon, as his successor, but David’s elder son Prince Adonijah, a warrior, declares himself King. When David learns of this, he publicly announces Solomon to be his successor. Adonijah and Joab, his general, withdraw in rage. Israel prospers under King Solomon’s wise and benevolent rule and is seen as a threat to more tyrannical monarchs in the region. The Pharaoh of Egypt agrees to cede a Red Sea port to the Queen of Sheba in a plot to undermine Solomon’s rule. Sheba is to seduce Solomon and introduce Sheban pagan worship into Jerusalem. Meanwhile, Prince Adonijah, now banished, also conspires with Pharaoh and is given an army to defeat Solomon. The film is a highly fictionalized dramatization of events depicted in The Bible — First Kings chapter 10 and Second Chronicles chapter 9.

Grief? Depression? Ambiguity in a Paris hotel room. Jack Whitman lies on a bed, ordering a grilled cheese sandwich from room service. His phone rings; it’s a woman on her way to see him, a surprise. He readies the room, moving without affect, drawing a bath, changing his clothes. She arrives, as does the food, and the complications of their relationship emerge in bits and pieces. He invites her out on the balcony to see his view. Will they make love? Is the relationship over?

When illness strikes two people who are polar opposites, life and death bring them together in surprising ways.