Toronto-based documentary filmmaker and cinematographer Nicholas de Pencier (Four Wings and a Prayer, Watermark) examines the complex global impact that the internet has had on matters of free speech, privacy and activism.

Laos: the most bombed country, per capita, on the planet. Australian bomb disposal specialist Laith Stevens has to train a new young “big bomb” team to deal with bombs left from the US “Secret War”, but meanwhile, the local children are out hunting for bomb scrap metal. Vividly depicting the consequences of war with the incredible bravery of those trying to clear up the mess.

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

The world-famous house that inspired the Conjuring film has recently been sold and is now open to paranormal investigations. With special access, a small group of filmmakers and paranormal investigators are allowed to move into the famously haunted home for two weeks in hopes of capturing evidence. During this time the group will be experiencing, investigating, and documenting every moment. Will they be able to make it through their stay? Do malevolent spirits still haunt this home, or is it something more sinister?

A personal, accessible look at an artist – Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?

Follow Jill Morley as she delves inside the world of female boxers. Real emotional histories and traumas bubble up, fleshing out a compelling story about women overcoming adversity.

A look into the underground world of trafficking human body parts.

The March is the feature documentary narrated by Denzel Washington about the renowned and historic 1963 March on Washington for Jobs and Freedom.

What the Health is a ground breaking feature length documentary from the award-winning filmmakers of Cowspiracy, that follows the exciting journey of intrepid filmmaker, Kip Andersen, as he uncovers the impacts of highly processed industrial animal foods on our personal health and greater community, and explores why leading health organizations continue to promote the industry despite countless medical studies and research showing deleterious effects of these products on our health.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

The Endless Summer, by Bruce Brown, is one of the first and most influential surf movies of all times. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which back in 1965 was off-season for surfing) in search of the perfect wave and an endless summer.

As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain