Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.

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Hating Obama takes a thought provoking look at the hatred received by President Barack Obama while asking the central question: Is President Obama hated for his policies or because he’s black?

Filmed Live at the Plaza de Toros, Madrid 1996, this editors cut includes Back in black/ shot down in flames/ thunderstruck/ girls got thythm/ hard as a rock/ shoot to thrill/ boogie man/ hail caesar/ hells bells/ dog eat dog/ the jack/ ballbreaker/ rock and roll ain’t noise pollution/ dirty deeds done dirt cheap/ you shook me all night long/ whole lotta roise/ tnt/ let there be rock/ highway to hell/ for those about to rock (we salute you)

Oscar-winner Michael Moore dives right into hostile territory with his daring and hilarious one-man show, deep in the heart of TrumpLand in the weeks before the 2016 election.

“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

In the late 80’s/early 90’s North America’s favorite pastime was collecting baseball cards. People would invest millions, in this game of pirates treasure, by putting their mint condition gold in plastic sleeves, locking it away and hoping it’s value would continue to rise year after year. Unfortunately, this house of cards would soon collapse, leaving the pieces of cardboard along with the hopes and dreams of fathers and sons worthless. Stu Stone was one of those sons, and his relationship with his father Jack, who was in the card business, would crumble with the industry. 25 years later, Stu is on a mission to discover why his beloved baseball cards are worth nothing more than the memories they hold of a happy childhood. What he didn’t plan on finding though, was the most elusive card of them all, his father Jack.

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Today, you’re more likely to go to prison in the United States than anywhere else in the world. So in the unfortunate case it should happen to you – this is the Survivors Guide to Prison.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France, capturing the oldest known pictorial creations of humankind in their astonishing natural setting.

Tracing the history of blue jeans around the globe.