Teen Michelle Carter’s actions shocked a nation – but what really happened behind closed doors? This HBO special showcases the prosecution’s point of view and alternately the defense’s. Which side do you fall on?

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

“It’s the story of the people who escape to the alternative reality of being a football manager, and the effect this has had on their lives. It’s also the story of how a computer game made by football fans has become a part of the world it set out to replicate.” – Miles Jacobson

As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain

Dutch immigrant, Harry deLeyer, journeyed to the United States after World War II and developed a transformative relationship with a broken down Amish plow horse he rescued off a slaughter truck bound for the glue factory. Harry paid eighty dollars for the horse and named him Snowman. In less than two years, Harry & Snowman went on to win the triple crown of show jumping, beating the nations blue bloods and they became famous and traveled around the world together. Their chance meeting at a Pennsylvania horse auction saved them both and crafted a friendship that lasted a lifetime. Eighty-six year old Harry tells their Cinderella love story firsthand, as he continues to train on today’s show jumping circuit.

‘I Used to be Normal – A Boyband Fangirl Story’ is the surprising coming of age story of four diverse women who have had their lives dramatically changed by their love of a boyband – Backstreet Boys, One Direction, Take That and The Beatles.

This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones’ unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in “Jumpin’ Jack Flash,” this film gives the viewer an intimate insight into exactly what it’s like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world’s greatest rock ‘n’ roll band

Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.

Through stories fuelled by fear, regret, defiance and redemption, How To Prepare For Prison takes a unique and intimate look at people caught in the legal system and facing prison for the first time.

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Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.