Starting in 1881 this film shows the personal battle between Lenin’s Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.

In the gig poster community, artists such as Daniel Danger and Jay Ryan prove that creating this artwork is a way of life, more than just a career. These artists are at the forefront of an expansion of the gig poster genre. MONDO’s reinvigoration of “the film poster as an art form,” and Gallery 1988’s theme based exhibits are only two ways in which this artwork is reaching a greater public. In a community with strong roots, dating back to the 1960s, this expansion is controversial- refreshing to some, sacrilegious to others.

Launched in 1982 by three friends in a Houston diner, Compaq Computer set out to build a portable PC to take on IBM, the world’s most powerful tech company. Many had tried cloning the industry leader’s code, only to be trounced by IBM and its high-priced lawyers. Explore the remarkable David vs. Goliath story, and eventual demise, of Compaq, an unlikely upstart who altered the future of computing and helped shape the world as we know it today.

In 2007, The Sci-Fi Channel premiered “Ghost Adventures,” a raw documentary in which 3 men go to Virginia City, NV and Goldfield, NV on a ghost hunting expedition. Virginia City is rife with macabre lore and reputed to be one of the most haunted cities in America. Ghost Adventures has won a Grand Jury Prize for Best Documentary that was given by the New York International Film & Video Festival.

THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

An enthralling look at the Arctic’s biggest predator on ice, capturing rarely-seen behavior, and featuring breathtaking cinematography shot over 12 months in the Canadian Arctic.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost—until now.

A documentary directed by Grammy- and Emmy Award-winning filmmaker Thom Zimny. The ninety-minute film combines never-before-seen footage of Springsteen and the E Street Band shot between 1976 and 1978—including home rehearsals and studio sessions—with new interviews with Springsteen, E Street Band members, manager Jon Landau, former-manager Mike Appel, and others closely involved in the making of the record.

Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.

Monrovia, Indiana explores a small town in rural, mid-America and illustrates how values like community service, duty, spiritual life, generosity and authenticity are formed, experienced and lived along with conflicting stereotypes. The film gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a way of life whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries.

An analysis of director Sidney Lumet’s work (12 Angry Men, Dog Day Afternoon, Before The Devil Knows You’re Dead) in his own words, based on a five-day interview recorded shortly before his death.

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