Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Tina Turner overcame impossible odds to become one of the first female African American artists to reach a mainstream international audience. Her road to superstardom is an undeniable story of triumph over adversity. It’s the ultimate story of survival – and an inspirational story of our times.

“She Did That” is the first full-length documentary focusing the lens on Black women building brands and legacies. The film explores the passionate pursuits of Black women and their entrepreneurship journeys.

In 1963 in the countryside in England, fifteen men pulled off ‘The Great Train Robbery’ netting today’s equivalent of $85million. This incredible film features Gordon Goody, one of the instigators of the crime, for the first time ever, revealing the identity of the missing mastermind behind Britain’s most famous heist- the elusive and mysterious ‘Ulsterman’.

On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.

The world’s greatest pinup model and cult icon, Bettie Page, recounts the true story of how her free expression overcame government witch-hunts to help launch America’s sexual revolution.

A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?

Healthcare systems are overwhelmed, economies are disrupted and governments impose lockdowns to contain the spread of the virus. Where did this novel coronavirus come from? In what way was it manifesting itself in humans? How was it being spread? We uncover the vital questions scientists ask as they grapple to understand this new virus, and its potential threat. We also speak to the scientists and experts leading the fight against this latest pandemic to develop vaccines and treatments in a bid to halt the coronavirus’ relentless spread.

A documentary about today’s young adult hookup culture and the stories in pop-culture that influence it.

Donald Trump has become a beloved cult figure for many Russians. The short film uses found footage, fake news and state-controlled political programming to reveal the variety of ways Trump’s newfound Russian supporters express their devotion.

An in-depth, exclusive look inside the high-stakes world of protecting the President. The two-hour special echoes one of National Geographic’s core missions, to take viewers places few others have been. The special reveals unexpected stories of trepidation and triumph along with a broader understanding of the significant and serious matters the agency must contend with everyday.

German director Werner Herzog begins work on his 1982 epic “Fitzcarraldo” but soon runs into serious setbacks, from casting problems to his own stubborn refusal to use special effects. After having to reshoot much of the film because the lead actor was recast, his crew must then haul an old-fashioned steamboat over a mountain using manpower alone. With a resolve bordering on insanity, Herzog struggles to realize his vision, vowing to see the film completed — even if it leads to his undoing.