Ten years after the Black Death devastated the country, a poor family sets out on a journey to search for better living conditions. In a deserted mountain pass, they are attacked by a gang of ruthless killer thieves. The only one spared is 19 year old Signe. She is taken prisoner, and the gang brings her back to their camp. Here, she soon learns that they have a fate worse than death in store for her, and realises that her only hope is to escape.
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A teenager with boundless imagination tries to solve a murder he witnessed.
Starts off in the 15th century, with Connor McLeod (Christopher Lambert) training with another immortal swordsman, the Japanese sorcerer Nakano (Mako). When an evil immortal named Kane (Mario Van Peebles) kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it’s up to McLeod to stop him.
Alma and Jan are having an affair and yet Jan does not want to admit it. In order to force him to recognize their relationship, Alma secretly takes Jan’s small son, Juri on a trip. Accompanied by the delivery man Bruno, the two drive in the direction of Berlin. At a rest stop, he tries clumsily to get closer to Alma but she rebuffs him. In doing so, Alma unwittingly injures him in such a way that he drops all his inhibitions. Whereas Bruno until now was acting covertly in the hope of establishing contact, he now wants to take for himself what has been denied him.
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Welcome to the Grindhouse experience like it was meant to be, killer story lines and themes zig zig across the screen in Grind-O-Vision, a nonstop thrill ride of babes, guns, muscle cars, motorcycle shoot outs, rendezvous with the devil and much more. From “Manhunt” to “Stripper with a Shotgun”, Grindhouse Nightmares is cinema exploitation at its best.
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